$$$Sensitive Speakers with $$Amps?


I've read a recent thread, and a Six Moons review for recommending certain amps who's price tag falls short of the subject loudspeakers. For example, Red Wine Audio 15 with Rethm Maarga speakers.

My area of focus is with sensitive speakers being driven by low-watt amps. Are there really super values out there for these type of amplifiers, or do the typical spending rules apply?
kennythekey
Are there really super values out there for these type of amplifiers, or do the typical spending rules apply?

The short answer is yes. Your job is to go out and find the really super values.
I own a pair of Hornings, the product previous to the Aristoteles, that I use in my second system. Given their resolution, the quality of amplification certainly does make a difference.

My opinion regarding amps that retail for $20K - 40K is they are often boutique products and/or produced in countries (often, Europe or Japan) where a price premium gets applied. While you don't need to break the bank to drive them, you don't want to aim too low, either. And, as a surprise to some, due to the onboard woofers, you want to give the Hornings some power as well, more than you might consider otherwise. You don't need to go overboard, but in order to not have them come across as unbalanced in a bright way, you don't want something limpwristed.

Push pull tubes seem to do best with them. Triodes generally are better than pentodes, though my Jadis DA60 and Dynaco ST70 marry well with them, for whatever reason, my Jadis JOR and DA30 not so good. I own a cheap Chinese 6AS7G push-pull integrated from Jas that also makes me happy. Best of all was a Deja Vu 15 wpc push-pull 2A3.

I also have spent a fair amount of time with Jacob George of Rethm. Should you go in that direction, you can away with less power than the Hornings, due to either not having to drive any woofers or having them powered for you. Still, aim for quality, as the Rethms will reflect your decision there.
AMps must always be matched to speakers for best results.

In the case of high sensitivity speakers, like horns, my first concern would be noise levels. If the amp is not dead quiet, chances are you will hear noise. I would focus on assuring the amp is quiet today and also reliable so that it will stay that way.

Tube amps work well and sound lovely with most HE speakers, but noise levels are more problematic with tubes in general. Tubes must be replaced periodically as noise levels creep in with age.

So I would be wary of inexpensive tube amps that might be more likely to have or develop noise issues, but I am also confident that inexpensive good ones that are also quiet are out there.

A lot has to do with expectations regarding noise levels and what bugs you. I prefer dead quiet background but have learned to live with marginally higher background hiss noise levels with my modest tube gear. I cannot tolerate other kinds of noise or easily audible background hiss when I listen because I was not brought up on tubes and not used to that kind of thing. So it all depends.
The Hornings are very sophisticated speakers and will benefit from a smooth and rich and transparent amplifiers with big sound stage and good front to back layering. I am thinking tubes, 300B 845's. Bigger tubes seem to have a bigger sound which I prefer. We carry Sophia Electric and they make some very nice sounding 300B amplifiers as well as 845 mono blocks. 'Just a plug here."

I have two pieces of tube gear, a DAC and a pre-amp.

The DAC is an overachiever for its very modest cost so I was willing to take a chance and go with a smaller vendor that seemed to receive universal rave reviews and that has worked out exceptionally well.

The pre-amp, an Audio Research, cost a good bit more but is still modest by some audiophile standards. For the bigger investment, especially first time out, I felt best going with a larger known entity like ARC not just becasue the gear sounds good but in hope of good customer service when needed, replacement tubes, etc. Maintaining the ARC is not horrible but it is not cheap (good QUIET tubes are EXPENSIVE). As much as I like the tube pre-amp, I still find myself thinking that when the day comes to replace it, I will try to go back to a good SS pre-amp in that I am not one who gets any enjoyment out of maintaining gear. I just want it to perform consistently well so I can listen to it.