Power conditioning is a practical first step to consider because if done right, ie a reputable product with ample power/current delivery for the task at hand, like Furman line for example, the result is usually always positive regardless of systems sonic "flavor". It is fundamental in that sense and sets a good foundation for the rest. Other changes will affect the sound in various ways that might be deemed positive or negative, depending on user's tastes. Cleaner power pretty much is always a good thing! I would use a conditioner with the pre-amp and all digital source components (players, DACS, etc.), but not on power amp to start. Power amps consume more power and current and require beefier and more expensive power conditioning for effects to be assured as positive.
How do I smooth out violins?
I have a decent system (bit of a mixed bag) but know that I can achieve a smoother, more integrated, and more relaxed massed violin sound. I listen to a ton of orchestral music and notice that massed violins in their upper registers (1500-3500 Hz) often jump out from the mix and sound a bit harsh, unlike what one hears live. Right now, I have the following:
Spendor SP1/2E
McCormick DNA-125 (original)
NAD 1600 (pre/tuner)
Marantz CD3000
Audioquest Sidewinder ICs
Audioquest Type 4
Would a tube pre help (maybe a AA M3A)? I'm thinking that the NAD may be the culprit. Any advice from those of you who have quested for "real" violin sound is very much appreciated.
Spendor SP1/2E
McCormick DNA-125 (original)
NAD 1600 (pre/tuner)
Marantz CD3000
Audioquest Sidewinder ICs
Audioquest Type 4
Would a tube pre help (maybe a AA M3A)? I'm thinking that the NAD may be the culprit. Any advice from those of you who have quested for "real" violin sound is very much appreciated.
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- 116 posts total
- 116 posts total