Pass Int-150 or Int-30A for PMC Speakers?


I have listened to PMC speakers (GB1i, FB1i, OB1i) with various integrated (Bryston B100&135, Simaudio 340i, Krell s300i, NAD M3) and was not closed to being satisfied. So I have decided to splurge a little to get Pass Labs integrated. Has anyone tried Int-150/30A or their amp version (x150.5/XA30.5) with PMC FB1i? What's each combination like?

Seems like many people match OB1i with Int-150 but am curious to hear what PMCs sound like with the Pass Labs Class A setup...

I will be using NAD M51 as DAC.
fiddleronroof
You guys are so right. I have only heard tubes once, but I think that's the way I am leaning towards. I must admit that I am a lazy audiophile. Switching tubes and searching for them is too much. The appearance is another thing. So I think I might have to stick with solid state that are very warm. Can anyone suggest any integrated amps like that?

Electrocompaniet was almost love at first sight. Before I take one home, I want to check out other brands. Got to make sure the sound is ripe and a live while details are vivid. I heard the Audio Research integrated is quite good. Anyone has any experience? Other suggestions?

I already have a system with Classe and B&W 802D. That's already quite a warm combination. It lacked details and the soundstage is recessed. Now I am looking for something for forward and vivid.
Fiddler,
Tubes just may not be for you(at this momment). The Electrocompaniet seems made to order for your taste,don`t compromise.
Regards,
Tubes can be a real hassle and I always felt that I was
burning out those expensive NOS tubes every time I turned it
on. The Tubes need to be biased and then there is the heat
issues so your location must provide good ventilation.

My Cary SLI-80 was a beautiful sounding amp and very flexible.
Between the tube rolling and the triode and pentode
capabilities it was fun to play with and also looked good.

Chuck
I went back to the Electrocompaniet dealer today with my CDs. I was there for quite a while and played through all four of their integrated amps. The clear choice was ECI5 MK II. The sound stage was huge, separation of instruments was clear and nicely placed. When I played Rubinstein playing Brahms Piano Concerto No. 1, the strings were almighty while the piano was clear and moving. Then came Mozart's two Sinfoniaconcertante for violin&viola and violin&piano. Midori's Del Gesu sounded as cut-throat as all other Del Gesu violins. Imai's Andrea Guarneri viola was warm yet penetrating. When Midori partnered with Christoph Eisenbach on the piano, I heard the chemistry between these two musicians. They meshed well. The orchestra was clearly set back in the background.

The icing on the cake was a female vocal recording. I was completely surprised. The typical solid state sound would have been a strong image standing in front of you, singing to you through a microphone. The ECI5 MK II had a very different presentation. The voice was strong but not over powering. It was absolutely exquisite. Her voice was very refined. It was if she was seducing me, not just singing to me. It also felt as if she was singing straight to me, not through a microphone. Alright, I exaggerated a little, but you get my point.

I heard the integrated with the Thiel SC2.4 and Pro Ac Response D40R. I am looking forward to hooking up the Electrocompaniet with my FB1i.

Will let everyone know in a bit... Seems to be very promising that I found I can really enjoy...
Fiddler,
Sounds like the right choice,you were clearly moved and connected to your music.What`s better than that?
Regards,