Pass Int-150 or Int-30A for PMC Speakers?


I have listened to PMC speakers (GB1i, FB1i, OB1i) with various integrated (Bryston B100&135, Simaudio 340i, Krell s300i, NAD M3) and was not closed to being satisfied. So I have decided to splurge a little to get Pass Labs integrated. Has anyone tried Int-150/30A or their amp version (x150.5/XA30.5) with PMC FB1i? What's each combination like?

Seems like many people match OB1i with Int-150 but am curious to hear what PMCs sound like with the Pass Labs Class A setup...

I will be using NAD M51 as DAC.
fiddleronroof
Fiddler,
Tubes just may not be for you(at this momment). The Electrocompaniet seems made to order for your taste,don`t compromise.
Regards,
Tubes can be a real hassle and I always felt that I was
burning out those expensive NOS tubes every time I turned it
on. The Tubes need to be biased and then there is the heat
issues so your location must provide good ventilation.

My Cary SLI-80 was a beautiful sounding amp and very flexible.
Between the tube rolling and the triode and pentode
capabilities it was fun to play with and also looked good.

Chuck
I went back to the Electrocompaniet dealer today with my CDs. I was there for quite a while and played through all four of their integrated amps. The clear choice was ECI5 MK II. The sound stage was huge, separation of instruments was clear and nicely placed. When I played Rubinstein playing Brahms Piano Concerto No. 1, the strings were almighty while the piano was clear and moving. Then came Mozart's two Sinfoniaconcertante for violin&viola and violin&piano. Midori's Del Gesu sounded as cut-throat as all other Del Gesu violins. Imai's Andrea Guarneri viola was warm yet penetrating. When Midori partnered with Christoph Eisenbach on the piano, I heard the chemistry between these two musicians. They meshed well. The orchestra was clearly set back in the background.

The icing on the cake was a female vocal recording. I was completely surprised. The typical solid state sound would have been a strong image standing in front of you, singing to you through a microphone. The ECI5 MK II had a very different presentation. The voice was strong but not over powering. It was absolutely exquisite. Her voice was very refined. It was if she was seducing me, not just singing to me. It also felt as if she was singing straight to me, not through a microphone. Alright, I exaggerated a little, but you get my point.

I heard the integrated with the Thiel SC2.4 and Pro Ac Response D40R. I am looking forward to hooking up the Electrocompaniet with my FB1i.

Will let everyone know in a bit... Seems to be very promising that I found I can really enjoy...
Fiddler,
Sounds like the right choice,you were clearly moved and connected to your music.What`s better than that?
Regards,
Hi Charles,

Yes, I thoroughly enjoy the electrocompaniet... But I must also admit I miss the Pass XA. The Electrocompaniet gave me a big soundstage and puts me at the 5th roll of the concert hall. The Pass XA puts me on the conductor podium. Its soundstage is even bigger and the instruments almost feel lie they are situated around me. That intimacy is quite amazing. I just wish the tone is warmer and rounder, like the tubes... Ahhh! So I haven't completely given up on Pass yet...

Does anyone use pass XA amp with tube preamp or a very warm solid state preamp?