Krell FPB vs Plinius SA-103 vs Pass Labs XA60.5


Hi,
Advise needed for power amp upgrade please. Current setup is Modwright 5400ES player; Aesthetix Calypso pre & Krell FPB300c power amp driving Von Schweikert VR-33s. I'm very happy with this setup; only minor gripes is a touch of hardness on a few older CDs, a bit of congestion on complex musical crescendoes and sometimes I can do with a bit more sparkle in the top-end at low volumes. Then the Krell went up in smoke! After repairs, it just wasn't the same.
I've narrowed replacement power amp options within my budget down to:-
1) Used Krell FPB400cx;
2) Plinius SA-103;
3) Or maybe I can stretch to a pair of Pass Labs XA60.5.
Grateful for advise, especially from members who have owned at least 2 of my above options. Many thanks.
solentgreen
Thanks guys for all the comments & advise.
Chuck, I will look into the Spectron, which I think is a class D amp? I have to say my first audition of a class D amp (a Linn) was not so favourable; the sound was clean & clear but a bit sterile. But then the Spectron may be different.
Thinking about it, Unsound's idea that the congestion may be in the recording is probably correct, as not all CDs had this problem. It’s a nice surprise in a way to see so much support for the Krell option; after all I really enjoyed my time (almost 8 years) with the FPB300c; it’s a safe known option and the 400cx should better the 300c.
Knghifi, my signal cables are Pure Note Vanguard from player to pre-amp; Pure Note Alluvion balanced from pre to power amp, and VH Audio Chela speaker cables. Power cords are a Virtual Dynamics Master from the wall to a Hydra 8 conditioner. Then a Lessloss DFPC to the Modwright player; a Black Sand Silver Reference Mk V to the Modwright power supply and another one supplying the Calypso pre-amp; and a separate Virtual Dynamics Master from the wall to a separate Hydra 2 conditioner used solely for the FPB300c. None of these cables are to my knowledge bright or thin. I also extensively use Herbies supports for all components and speakers.
As for tubes, I am using Sylvania 6SN7 GTB valves in the Modwright 5400ES, and a Create Audio 5AR4 rectifier tube in the power supply.
At this point, I really should emphasize that the issues I raised re congestion and brightness are very minor and in the main are only from certain CDs. As Unsound said, more than not, its an issue with the recording rather than the system that we are talking about here. Remember prior to the FPB300c going up in smoke, I was very happy with the system and had no intention nor inclination to upgrade. Its just that I am forced into replacing the 300c as it was just not the same after repairs.
It will be great to get some advise from Plinius and Pass Labs users though before I decide; any of you guys out there? Especially those who might have done comparisons with the other and also Krell FPB power amps? Many thanks.
60 watts of class A is totally different than 60 watts of Class A-B or D. Ask Pass Labs, they say 60x5=300. But I had much more drive with these mono's compared to my older MF Nu-Vista 300 power. Which was modified. Gave more than 2x 350 watt by 8 ohm. Pass labs gives a more deep and wide stage than Krell does. It will be all about personal taste. Some people prefer Vanilla ice over Chocolate ice....
Solentgreen, If you go with Krell, get the monos and smearing problem will improve further.

I would also checkout Evo series. I find the darkness improved from KSA to FPB and I heard it was further improved in the Evo series.
I have owned a Krell FPB 300cx for more than 10 years. I am astonished to hear it becomes congested on complex passages. This is something I never noticed, and I listen to a fair amount of claasical music. Also, whatever hardness may have been present in the "c" generation was eliminated with the "cx." So I would go with the Krell. Have not had anything but stellar performance from the day it was delivered and installed in my system.

Neal