Orpheeus10, You mentioned the system by which stereophile rates and then puts amplifiers into classes. Just for clarity, these were the amplifier classifications I was talking about.
Conduction angle classes
Class A
100% of the input signal is used (conduction angle Θ = 360°. The active element remains conducting[6] all of the time.
Class B
50% of the input signal is used (Θ = 180°); the active element carries current half of each cycle, and is turned off for the other half.
Class AB
Class AB is intermediate between class A and B, the two active elements conduct more than half of the time
Class C
Less than 50% of the input signal is used (conduction angle Θ < 180°).
A "Class D" amplifier uses some form of pulse-width modulation to control the output devices; the conduction angle of each device is no longer related directly to the input signal but instead varies in pulse width. These are sometimes called "digital" amplifiers because the output device is switched fully on or off, and not carrying current proportional to the signal amplitude.
The above is sourced from Wikipedia.
Conduction angle classes
Class A
100% of the input signal is used (conduction angle Θ = 360°. The active element remains conducting[6] all of the time.
Class B
50% of the input signal is used (Θ = 180°); the active element carries current half of each cycle, and is turned off for the other half.
Class AB
Class AB is intermediate between class A and B, the two active elements conduct more than half of the time
Class C
Less than 50% of the input signal is used (conduction angle Θ < 180°).
A "Class D" amplifier uses some form of pulse-width modulation to control the output devices; the conduction angle of each device is no longer related directly to the input signal but instead varies in pulse width. These are sometimes called "digital" amplifiers because the output device is switched fully on or off, and not carrying current proportional to the signal amplitude.
The above is sourced from Wikipedia.