A few years back I had an opportunity to audition a REL Studio III, JL Audio 113, and a Velodyne DD 18.
Your description of the REL is what I heard along with the difficulty of integration. Running it through the Velodyne I was able to EQ out the bloat between 35-45hz in my room. Still, its presentation lacked the leading edge speed of the others. Using JL's onboard EQ alone I was always aware of its presences in the room.
The Velodyne completely disappeared until I turned it off. This was a huge difference from the REL. I've since replaced the DD 18 with two DD 12+s. As a working Bassist I have many raw track recordings on tape and digital files and I have never encountered any timing, coloration, or timbre issues with any of the Velodyne subs I've owned.
The ability to adjust phase, volume, and EQ presets on the fly with the Velodyne's remote control takes sub ownership into fun status.
Your description of the REL is what I heard along with the difficulty of integration. Running it through the Velodyne I was able to EQ out the bloat between 35-45hz in my room. Still, its presentation lacked the leading edge speed of the others. Using JL's onboard EQ alone I was always aware of its presences in the room.
The Velodyne completely disappeared until I turned it off. This was a huge difference from the REL. I've since replaced the DD 18 with two DD 12+s. As a working Bassist I have many raw track recordings on tape and digital files and I have never encountered any timing, coloration, or timbre issues with any of the Velodyne subs I've owned.
The ability to adjust phase, volume, and EQ presets on the fly with the Velodyne's remote control takes sub ownership into fun status.