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When a Reviewer "likes" something

... what does that mean in your opinion. I read in one of the last Stereophile mags a comment from Mr. Atkinson where he wrote about the differences in "opinions" in forums or in printed mags. After all he ended with the argument, a component is good when a reviewer likes it.
Isn't is more helpful, when a reviewer knows something about a real tone reproduction? Or is it ok, when he used every month another CD or LP he got for free, a kind of music nearly no one wants to listen to?
Harry Pearson used in the 90's always the same records for his reviews but that was an exception I think.
What is it worth for you when - for example - Mr. Dudley/Fremer/Valin/HP .... "likes" something? Do you have the same "taste" they have?
I know it is possible to like a Turntable even when that unit can't hold the proper speed, or is extremely sensitive to any influences, there are endless recommendations written about such units...what is it worth for you?
Atkinson for example measures units, some have top datas but they can sound very boring, far away from the real thing, some have no top datas, some "tests" are shortened because a unit can reach a area which can be pretty dangerous (see one of the latest Agostino units, just as an example) but they are rated Class A in recommendations anyway....
When someone "knows" what is right or not, then his "liking" is only a personal opinion which is more or less uninteresting or?
Most customers (not all of course) would prefer to know what a unit is really able to do sonically, or not? Would knowledge destroy the joy of Hardware rolling? Or is there a reason why reviewers use low efficiency speakers when they have a tube amp for review (for example Lamm ML2.1/ML2.2 with Magico Speakers)? Is the matching "expensive + expensive" the proper way to show competence?
128x128syntax
lharasim
130 posts
 
Yea the audio mags are a great tool after you crap you can wipe your arse!!!! then flush shwwwooshhhhhh LOL

I blame not the writers but the people that read/buy these magazines and continue to do so without protest! WTF!!!!

guys the game is the same(play like live music) but seems most do not want or have and understanding of what live non amplified music sounds like.......so this is what we have today a bunch of expensive crap that does not play like music!

Mr Holt at least gave an honest evaluation and compared to the REAL thing...

lets get back to the way of the past ...

Lawrence
Fidelity Forward
nhaudio
35 posts
 
It can means the company comps. the reviewer to a fact finding trip to the factory.
charles1dad's avatar
charles1dad
10,250 posts
 
I think over a period of time you find reviewers who have taste similar to yours and pay more attention to their impressions for a starting point. Some reviewers have such different preferences there's no common ground and their recommendations have little value personally.
In my case JA of Stereophile admires certain components that were just awful IMO. Dick Olsher and Jack Roberts for an example tend to get my attention if they're enthusiastic about a product.
soix
9,456 posts
 
I use reviews mainly for information and an indication of something I might like to listen to. Nothing more. On this level, and pretty much only on this level, I find that reviews can be helpful.

What really irks me is when a reviewer does not make any comparisons to another product during a review and just states what they "think" of the sound of a product on its own. That is just about worthless to me, although I'm sure it makes their job a lot easier. And when they omit the equipment they're using in their reference system it makes it even more useless as I have no idea what they're using as a mental reference.

TAS does this all the time and it drives me nuts. They'll frequently make no direct comparisons to anything else in the review and then list all the equipment in their reference system EXCEPT the corresponding component to that which they're reviewing. That's just pure cowardice imo in an effort to not be held accountable for their completely unsubstantiated opinions (which I view more as guesses than actual opinion). ARGH. Does this bother anyone else?
corazon
210 posts
 
First off, I only read S'phile consistently so have limited experience with other mags although I have read them.

I kinda of look at it like a catalogue; don't have B&M to visit here unless it is appointment only. (I miss audio stores)

I read reviews, mostly those whose writing I like, purely entertainment.

I have often wondered how a reviewer can form an opinion of a piece of gear when their "reference" system seems to be in a constant state of flux?

Seems changing pieces changes the baseline the piece of equipment is being evaluated from so naturally sound will change.

I can see where after an initial review is completed, using the reviewers static reference, a follow-up could be used to address swapping other pieces of gear but the original evaluation should be done without any system changes.
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