When a Reviewer "likes" something


... what does that mean in your opinion. I read in one of the last Stereophile mags a comment from Mr. Atkinson where he wrote about the differences in "opinions" in forums or in printed mags. After all he ended with the argument, a component is good when a reviewer likes it.
Isn't is more helpful, when a reviewer knows something about a real tone reproduction? Or is it ok, when he used every month another CD or LP he got for free, a kind of music nearly no one wants to listen to?
Harry Pearson used in the 90's always the same records for his reviews but that was an exception I think.
What is it worth for you when - for example - Mr. Dudley/Fremer/Valin/HP .... "likes" something? Do you have the same "taste" they have?
I know it is possible to like a Turntable even when that unit can't hold the proper speed, or is extremely sensitive to any influences, there are endless recommendations written about such units...what is it worth for you?
Atkinson for example measures units, some have top datas but they can sound very boring, far away from the real thing, some have no top datas, some "tests" are shortened because a unit can reach a area which can be pretty dangerous (see one of the latest Agostino units, just as an example) but they are rated Class A in recommendations anyway....
When someone "knows" what is right or not, then his "liking" is only a personal opinion which is more or less uninteresting or?
Most customers (not all of course) would prefer to know what a unit is really able to do sonically, or not? Would knowledge destroy the joy of Hardware rolling? Or is there a reason why reviewers use low efficiency speakers when they have a tube amp for review (for example Lamm ML2.1/ML2.2 with Magico Speakers)? Is the matching "expensive + expensive" the proper way to show competence?
128x128syntax
First off, I only read S'phile consistently so have limited experience with other mags although I have read them.

I kinda of look at it like a catalogue; don't have B&M to visit here unless it is appointment only. (I miss audio stores)

I read reviews, mostly those whose writing I like, purely entertainment.

I have often wondered how a reviewer can form an opinion of a piece of gear when their "reference" system seems to be in a constant state of flux?

Seems changing pieces changes the baseline the piece of equipment is being evaluated from so naturally sound will change.

I can see where after an initial review is completed, using the reviewers static reference, a follow-up could be used to address swapping other pieces of gear but the original evaluation should be done without any system changes.
Soix,
You're right, comparisons should be part of audio equipment reviews. 6 Moons does a very good job of openly making comparisons, often multiple competitors in the review.JV of TAS reviewed the CJ GAT preamp and made no mention of the Audio Research Anniversary preamp he had reviewed prior and praised. Why avoid such an obviously comparison? Just give an honest impression if you're going through the effort of reviewing both
Regards, .
Forgot to mention in my post, I concur with those who have said the knowledge on this site is the best. Mostly end users and some pretty darn smart ones too!

I cruise other sites but none seem to capture my attention like this one.
I am always amazed by the comments here alluding to some ulterior motive by the mainstream audio press to push the product of the day. I have yet to read of a true, factual example of this actually happening by one of the writers for TAS or Stereophile. You may not agree with their opinions or methodology, but this is entertainment, not a scientific journal. Those two magazines are no different than Car and Driver, or Cycle World or any other enthusiast magazine I subscribe to. I happen to like the style of writing of some of the writers, even if they were writing off topic. But to suggest fraud or collusion, as some here have, is simply off base unless you have specific factual support for such claims against a specific writer. Otherwise its just more internet crap to keep getting repeated on sites like this.
And for those who think a month with a piece of equipment is not enough, how long do you think a full time reviewer should spend. Is 40 hours a week for 4 weeks not enough. And if they get paid by the review, are they only allowed to review 12 pieces of equipment a year. If that's so, should they make $5000 per review so they can make a decent living. Get real. No one here listens 160 hours a month, yet many have very strongly held opinions on gear.
And while knowing what the reviewers equipment is might be helpful if he has something the same as yours, it is useless otherwise. There is simply too many different options for any of us to be familiar with how each sounds.
And as for glowing reviews, that issue has come up in my other enthusiast magazines, and the plain fact is that there is very little bad equipment being built these days, especially in the high end range these magazines concentrate on. Except for some garage builder putting out a prototype, most gear being reviewed is well built. Do you want the reviewer to look for crap just so he can say something stinks. Why waste his time reviewing crap when there is so much more interesting stuff to review that is much more enjoyable.
I will say that I gloss over anything to do with digital sound. I just dont care, and I find it boring to read about. that may be why subscriptions are down. In the old days, there were real differences between components, and new ideas being tried. Today, everything has improved to the point that for electronics especially, there is little difference beyond power ratings, at least as compared to cartridges or speakers.
So, unless you have specific actual knowledge of some improper behaviour by a specific reviewer or magazine, and are willing to put it in writing here, give it up and just enjoy the entertainment.