I am always amazed by the comments here alluding to some ulterior motive by the mainstream audio press to push the product of the day. I have yet to read of a true, factual example of this actually happening by one of the writers for TAS or Stereophile. You may not agree with their opinions or methodology, but this is entertainment, not a scientific journal. Those two magazines are no different than Car and Driver, or Cycle World or any other enthusiast magazine I subscribe to. I happen to like the style of writing of some of the writers, even if they were writing off topic. But to suggest fraud or collusion, as some here have, is simply off base unless you have specific factual support for such claims against a specific writer. Otherwise its just more internet crap to keep getting repeated on sites like this.
And for those who think a month with a piece of equipment is not enough, how long do you think a full time reviewer should spend. Is 40 hours a week for 4 weeks not enough. And if they get paid by the review, are they only allowed to review 12 pieces of equipment a year. If that's so, should they make $5000 per review so they can make a decent living. Get real. No one here listens 160 hours a month, yet many have very strongly held opinions on gear.
And while knowing what the reviewers equipment is might be helpful if he has something the same as yours, it is useless otherwise. There is simply too many different options for any of us to be familiar with how each sounds.
And as for glowing reviews, that issue has come up in my other enthusiast magazines, and the plain fact is that there is very little bad equipment being built these days, especially in the high end range these magazines concentrate on. Except for some garage builder putting out a prototype, most gear being reviewed is well built. Do you want the reviewer to look for crap just so he can say something stinks. Why waste his time reviewing crap when there is so much more interesting stuff to review that is much more enjoyable.
I will say that I gloss over anything to do with digital sound. I just dont care, and I find it boring to read about. that may be why subscriptions are down. In the old days, there were real differences between components, and new ideas being tried. Today, everything has improved to the point that for electronics especially, there is little difference beyond power ratings, at least as compared to cartridges or speakers.
So, unless you have specific actual knowledge of some improper behaviour by a specific reviewer or magazine, and are willing to put it in writing here, give it up and just enjoy the entertainment.
