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When a Reviewer "likes" something

... what does that mean in your opinion. I read in one of the last Stereophile mags a comment from Mr. Atkinson where he wrote about the differences in "opinions" in forums or in printed mags. After all he ended with the argument, a component is good when a reviewer likes it.
Isn't is more helpful, when a reviewer knows something about a real tone reproduction? Or is it ok, when he used every month another CD or LP he got for free, a kind of music nearly no one wants to listen to?
Harry Pearson used in the 90's always the same records for his reviews but that was an exception I think.
What is it worth for you when - for example - Mr. Dudley/Fremer/Valin/HP .... "likes" something? Do you have the same "taste" they have?
I know it is possible to like a Turntable even when that unit can't hold the proper speed, or is extremely sensitive to any influences, there are endless recommendations written about such units...what is it worth for you?
Atkinson for example measures units, some have top datas but they can sound very boring, far away from the real thing, some have no top datas, some "tests" are shortened because a unit can reach a area which can be pretty dangerous (see one of the latest Agostino units, just as an example) but they are rated Class A in recommendations anyway....
When someone "knows" what is right or not, then his "liking" is only a personal opinion which is more or less uninteresting or?
Most customers (not all of course) would prefer to know what a unit is really able to do sonically, or not? Would knowledge destroy the joy of Hardware rolling? Or is there a reason why reviewers use low efficiency speakers when they have a tube amp for review (for example Lamm ML2.1/ML2.2 with Magico Speakers)? Is the matching "expensive + expensive" the proper way to show competence?
128x128syntax
syntax's avatar
syntax OP
2,193 posts
 
Stereophile Feb. 2013
Records to Die For (!!!!!)

It is well known that the latest Beatles Reissue Vinyl Box Set sounds really bad. So bad, that even reviewers can't deny it (so it must be remarkable bad)
BUT
even describing how bad it is, who cares: It is simply lifted to "be beyond essential"....
The reviewer likes it, probably he got it for free and he has to do someone a favor, but that's not the discriminated listener. Beyond essential is the key....
Some call it a review, don't forget: It is in the listing of "Records to die for" (the best of the best)
jmcgrogan2's avatar
jmcgrogan2
6,346 posts
 
I don't hate reviewer's, everyone needs a job these days, be it government worker's, lawyers, salespersons or reviewer's. A person has to make a living, I don't hold that against any of them. That doesn't mean that I have to buy what they are selling, and make no mistake, reviewers are selling.

I think you'd make a perfect reviewer Elizabeth! ;)
actusreus
733 posts
 
I agree with Manitunc. I will also add that there are certainly bad reviews quite regularly, at least in Stereophile. A while ago Fremer reviewed a Boulder amp, and he trashed it sending the company's reps into a frenzy over the review. There was a bad Totem Forrest speaker review that nearly gave the designer a heart attack. There was a pretty bad class D amp review a few months ago. Fremer regularly criticizes high priced cartridges or analog equipment that he thinks should be less expensive based on performance. These are just a few off the top of my head.

Also, in the latest issue of Stereophile (April 2013), Art Dudley sheds some interesting light on the reviewing policies and interaction between reviewers and manufacturers. It's perhaps more of a rant, but it does describe what's going on behind the "closed doors" so to speak, and probably answers some of the questions and claims raised in this thread. I recommend it.

In the end, to me a review is what you make of it.
oldears
386 posts
 
I agree with the comments of Tdaudio. The value of the reviews has gone downhill for the last 20 years.
TAS is now very suspect as being industry "shills". I am amazed by the stable of "long-term loans" listed as review equipment. I wonder what cables these guys would choose if they actually paid for them. (I do kind of like Adkinson, as his system remains pretty stable... and he does measure as well.) A lot of reviewers do seem to go out of their way to list the most esoteric music sources they can find.
I only use it as a starting point as to "what is out there". Its always easy to "like" what's new and in front of you.
manitunc
795 posts
 
So, a month is too short a time, and a long term loan is graft? Just say you dislike reviewers instead of making excuses. And should we really expect reviewers to spend tens of thousands of their own dollars to build a reference system, and then change it every few years to keep up to date? Can only wealthy folks be reviewers? Seriously?
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