Question on FR 66s


For some reason, search on FR 66s in agon did not turn up anything much. I recalled that recommended S2P distance is 296mm rather than 295mm and Stevenson geometry seems to work best. Is this correct? I already have FR 64s which works very nicely with Koetsu. In general, does FR 66s works well with the more modern cartridges, Lyra, Air Tight, Dynavector etc.
I am kind of curious to try it but not sure what to try it with. Beside those mentioned on my system page, I have Kiseki Blue, XV-1s and Miyajima Zero on hand currently.

Thanks for any suggestion.
suteetat
... works much better than Graham Phantom 2 supreme 12 inch. I had Graham for about a year and never could dialed it in to my liking with various cartridges that I have and I finally sold it.

The alignment tool (flip) is correct only with the Standard 9" Ar,. Used with the 10" or 12" Arm Wands the cartridge alignment is wrong. And you can hear that normally. But on the other side, on some official demos they run that way and got great reviews from the magazine people.... :-)
Unfortunately Graham forgot to put a notice about that in the Arm boxes ...

but even when done right, the 66s is still a different world (and the Phantom supreme is really good)
Thanks for the information. Will have to look for the VTA base. The arm I got came in original box with manual and 2 counter weights, 2 antiskating weight etc, seems very complete except for the VTA :(

Syntax, yes, I also was told the same thing regarding the alignment tool. I was using mintlp that I got originally for my Reed 12 inch. Apparently, it has exactly the same dimension, lengthwise. The result was better but still did not quite make it for me.
Dear FR64S and 66S aficionados, What do you use for phono cable? Have you bypassed the DIN plug? For such superlative results as some of you describe, especially with very low output MC cartridges, I would think it is a necessity to get rid of the DIN plug in the signal path. (I have a 64S but have not had the pleasure of listening to it yet.) Thanks.
Dear Lew, The same reason(ing) caused me to buy the Triplanar VII and Reed 2A with the fast headshells and wire all the way to the pre. My FR-64s where in the box till Henry convinced me to rethink my assumption(s). I am glad I deed and have no reason at all to question the wire, the Din plug or whtever by the FR-64s. BTW I own both; the silver and copper 'versions' but have no preference for one or the other.

Regards,

I am using Acrolink 8N Reference Din/RCA cable into Aesthetix Io Eclipse currently. Also been playing with Lamm Phono with either its MC input or external SUT as well.
Still have not decided which combination I prefer yet.
I do like idea that Reed has also with no connector or cable break anywhere between cartridge all the way to RCA plug and still enjoy listening to Reed/Lyra Atlas just as well.
The only comparison between Reed and FR in my system so far is that Reed definitely does not play well with Koetsu and I am willing to settle for incompatibility/synergy problem rather than inferior product. Now that both Reed/Lyra and FR/Koetsu sounds great on the same table, I am a bit too lazy to switch Lyra over to FR for now. However, I was told that Lyra was designed and tuned with copper wire in mind (don't know how true this is though) so I definitely want to try that. My Reed came with silver wire so I do want to try it with a different arm/cable one of these days.