I echo most of the responses here already, including Ralphp's. His (presumably he) post raises a few points I would add.
Look around for jazz stations on line. I know that there is WBGO in Newark, NJ, and WMOT out of Tennessee; there's another full time one in the bay area. There's also WKCR in New York which features Phil Schaap. Though these stations tend to play a lot of more recent and local stuff (something jazz lovers can be really condescending toward), they do mix it up some. And it's free sampling when you're starting out. Also, you can catch sessions of the NPR jazz programming ("JazzSet", "Piano Jazz", "Live from Lincoln Center") on line as well. Great ways to get to know the music.
Because the radio outlets are fewer and farther between for us, you do need to be prepared to buy. Used shops, it goes without saying, are great. They also tend to be cheaper on brand new stuff, and tend only to carry the more mainline artists, good for getting one's feet wet.
As Goheelz suggested, notice the other artists backing the title artist. The greatest period of this music involved cats listenting while playing back up, and then turning it into their own thing.
As for particular titles, lately I cannot get enough of Ahamad Jamal's "Cross Country Tour." It's a two-disc set that features some of his greatest stuff, which, incidentally, proved a big inspriation for one Miles Dewey Davis. Also gotta push the following:
Rachelle Ferell, "First Instrument" - range AND control
Coltrane, "Blue Train" and of course, "Love Supreme"
Wes Montgomery, "Smokin at the Half Note"
Ellington, "Live at Newport 1956" - wanna hear a saxaphone start a riot?
Branford Marsalis, "Renaissance"
In any and all cases, good listening.
Look around for jazz stations on line. I know that there is WBGO in Newark, NJ, and WMOT out of Tennessee; there's another full time one in the bay area. There's also WKCR in New York which features Phil Schaap. Though these stations tend to play a lot of more recent and local stuff (something jazz lovers can be really condescending toward), they do mix it up some. And it's free sampling when you're starting out. Also, you can catch sessions of the NPR jazz programming ("JazzSet", "Piano Jazz", "Live from Lincoln Center") on line as well. Great ways to get to know the music.
Because the radio outlets are fewer and farther between for us, you do need to be prepared to buy. Used shops, it goes without saying, are great. They also tend to be cheaper on brand new stuff, and tend only to carry the more mainline artists, good for getting one's feet wet.
As Goheelz suggested, notice the other artists backing the title artist. The greatest period of this music involved cats listenting while playing back up, and then turning it into their own thing.
As for particular titles, lately I cannot get enough of Ahamad Jamal's "Cross Country Tour." It's a two-disc set that features some of his greatest stuff, which, incidentally, proved a big inspriation for one Miles Dewey Davis. Also gotta push the following:
Rachelle Ferell, "First Instrument" - range AND control
Coltrane, "Blue Train" and of course, "Love Supreme"
Wes Montgomery, "Smokin at the Half Note"
Ellington, "Live at Newport 1956" - wanna hear a saxaphone start a riot?
Branford Marsalis, "Renaissance"
In any and all cases, good listening.