Bob Dylan's Modern Times, a new Masterpiece?


Upon my initial listening I feel it is safe to declare this new offering from Bob Dylan a masterpiece. Very comforting to know America's true folk treasure is still on top of his game.
dreadhead
Audiofeil,

You are right I am referring to CD and you may be right. The CD may be compressed mnore than vinyl ...another victim of loudness wars...
"Classic"? I don't know. Time will tell. Compression? I don't hear it. I have both the LP and CD but have only listened to it in my car.

-Wendell
Wendell,

If you happen to get a chance to compare the two directly through the same system - do let us know...

BTW I like Dylan too - just not pleased with the quality of this CD - that is all.
I just got the LP today. Have got through sides 1-3, haven't done side 4 yet. I think it would be a stretch to call it a "masterpiece" and I definitely have to listen more. There is a "flatness", sound wise, to the record that Ben describes above, without a doubt. I'd bet a lot of money the original master is digital not analog. While it sounds reasonable, I think it could've sounded much better with a bit more care in the studio. I find Bob's voice to be really miked hot on side 3 and think they should've dialed him down a bit. Then again, I've got a fairly big smudge and some scuffing on that side of the album (along with some problems on other sides including excessive label glue) which may be contributing to that but I doubt it. I like how Sony has a small blurb inside the record talking about the quality control etc. with their phone #. I'll be giving them a call but will probably just keep what I've got for fear that the replacement will be worse.

Bob taking writing credits for Rollin and Tumblin and Someday Baby is a bit of a joke. While he may have twisted a few words around on these ones, they are old blues songs that have been performed thousands of times. I like Bob, but he's really stretching it there.
My feelings pretty much mirror Hdm's in regard to sonics. While it isn't a bad sounding LP per se, there is little doubt it spent significant time on a hard drive somewhere. While you can hear some pre-echo at the beginning of a few tunes, indicating the album was tracked to analog, Dylan's voice itself is more edgy than it ought to be, and seems cut from a different cloth than the instrumentation itself. I find the album to be musically very rewarding, and while I wouldn't place it in the category of "instant classic", it will, I believe, be upheld as one of the better Bob Dylan albums from the opus. I also agree about Columbia's QC - my LP too was smudged and had several grimey fingerprints along the lead-in grooves, and around the first tracks, as if the quality inspector had just finished a grilled cheese sandwich before setting about his task. However, the surface is quiet, the pressing is flat, and overall I'm rather pleased.

-R.