Yes, you are correct Chashmal, new music makes a much more structural use of silence than old music did. The problem of bad digital/analog is that the silence becomes opaque. . . simply devoid of signal. . . the mythical black background is eventually found to be not that black after all, if the right equipment is applied in the chain. I am experiencing significant textured silence in my system with the digital X-01 Limited as the front end. I am glad you are experiencing the same through the anolog LP12. Whether I were experiencing 'better' textured silence than you or viceversa, is of course a rather meaningless question, for which there is no meaningful answer.
The value of open space
Composers such as Webern, Cage, Feldman, and Stockhausen all utilized vast spacious open passages with faint and delicate sounds within them ('colored' silence as Stockhausen put it). If a system is set up right, this allows those sounds to 'sparkle' in deep space, opening vistas for the ear to swim in. How many audiophiles really appreciate this phenomena? It is really one of my favorite things in music. It seems to me that digital sources crunch this space into blandness, and it really takes a turntable to do it justice. Agree?
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- 14 posts total
- 14 posts total