About your music collection


In searching the archives I'm not sure I've found anything pertaining to member's descriptions of their music collections and feelings about it. I'm not trying to compile lists, rather a general description of the genres you most enjoy, and perhaps the emotional attachment you have to that music. What role does music play in your life, and does that say something about the person you are today? Also, is your love of music shared by others?

I have perhaps 2,000 lp's, 6,000 cd's, and still adding. I often feel this collection is entirely overwhelming, lack of storage space is becoming a concern. I also feel this is much more music than one needs, I have many purchases I've yet to play, and others I may not have listened to in years. Yet, I can't bear to let any of it go because you never know when I'm going to get the itch to play that particular record, serendipitous finds lead to the most enjoyable listening sessions.

My collection covers most genres of music, probably easier to describe what I don't have. I don't have much contemporary music, I find most contemporary music devoid of artistic involvement. It seems to be much more about business than art today, the authentic is becoming harder to find. On the other hand, perhaps I'm mistaken, it really is authentic, I just don't care for that particular authenticity. I suppose this is just one example of how music informs me, a commentary on contemporary society and culture.

Now, I don't want to leave the impression I don't like any contemporary music. There remains much that is vibrant and meaningful, perhaps 15-20% of my collection is of various genres of contemporary music. Having said that, I don't like hip hop/rap, contemporary country, pop or R&B, disco, Christian, smooth jazz, and I have very little techno or contemporary rock. As you can see, my no like list is entirely contemporary genres.

My likes extend all the way from depression era blues to the occasional techno cut. I have a particular fondness for music from the 50's to early 70's, perhaps 70% of my collection is of various genres during this period. Pop, folk, jazz, doo woop, R&B from the 50's, pop, rock, folk, jazz and soul from the 60's, pop, rock, folk, jazz and soul from the early/mid 70's. I also enjoy classical music, mostly medieval, renaissance and baroque.

Within these favorite genres, a few stand out above all others. I would say my favorite music is a rather distinct hybrid of traditional English folk/psychedelic/rock, bands like Fairport Convention, Horslips, Amazing Blondel, Magna Carta and Strawbs. My fantasy would be to have lived in renaissance era England with these bands giving concerts every weekend, an ancient hippie/bohemian esthetic!

I would have to say my favorite music elicits a sense of freedom and innocence in me. Living in a conformist world filled with so much responsibility and consequence is stiffling at times, musical excursions allow me time away from all that. There is also no conflict in my music listening time, seems there is way more contentiousness
in today's culture than need be.

It is the rare that I meet the person who enjoys music as much as I. Music mostly seems to be background noise for people today, it seems they listen to tons of it on Ipods, but are they really listening? Listening to me is immersion into alternative worlds created by thoughtful artists. Listening is the preoccupation, I can't enter these worlds while doing other tasks. Since my listening habits differ from the masses, I infer the music I listen to is different as well. This is emiprically evident by popular contemporary music, not my kind of music.

Someone brought up the subject of musical guilty pleasures the other day. I suspect much of the music I listen to is a sort of guilty pleasure, however, the guilt is not on my part. On the other hand, I sometimes feel judged guilty by certain people who find my music choices suspect. Without exception, every person who has perused my music collection has never heard of at least 50% of the artists. They just sort of give you this blank stare, the older folks ask for the 70's classic rock, the younger set scrounge for my rare techno or contemporary rock albums. When trying to introduce something new to them, the usual result is sleepiness or restlessness.

Based on my experiences, I'm really beginning to believe one has to be an audiophile to be a music lover. It may be one's music has to be reproduced with a high level of sonic excellence in order to attain love for the music. Your simply don't get the 'message' of the music without sonic excellence. Without sonic excellence one is too easily distracted by a whole host of outside stimuli. We see the ubiquitous multi-tasking when listening to lower resolution musical reproduction. It seems only the audiophile actually sets aside the time, and clears a space in the mind to absorb the 'message' of the music.
sns
The last word from me about what constitutes a music lover. I never said that only audiophiles can be music lovers, I said "based on my experiences, I'm really BEGINNING to believe one has to be an audiophile to be a music lover." Nothing is set in stone in my mind. I also listen to tons of crap sounding recordings, and I'm still an audiophile.
I am the opposite. I only buy artists that I absolutely love. I never buy before listening to the CD—most of the times I listen to ‘samples’ for several days and only then, if I don’t lose interest, do I buy. I might only add 2-3 new albums to my collection a month; however, these are albums that mean the world to me and I listen to on a regular basis.

My listening tastes are as follows…

Classical (Gregorian to Nyman)
Folk (Troubadour to Tiersen to Cohen)
Jazz (very little: mostly war-era with a smattering of contemporary vocal)
60’s & 70’s Rock (again, not a lot but enough to make the list)

When I buy an album I listen to it for several days. I create an emotional attachment to the album and I make sure I have a clear understanding of that particular piece of work. While my collection is less than 150 CD’s, I can honestly say that my connection with my collection is intimate.
Sns, you bring up some interesting points. I know where you are coming from, but speaking as a professional musician, many of us fully realize that no sound reproduction equipment, not even the very best audiophile quality stuff, can equal the sound of live music. Much as I like the magazine, there really is no such thing as an "absolute sound." This is why many musicians do not bother to pay for really good reproduced sound. Do I agree with that? No, I would call myself an audiophile. I bought the best sounding system I could afford (the vast majority of us musicians are certainly not wealthy!), and I collect recordings that I love to listen to.

Also, as I mentioned in another thread, we have to do so much critical listening all the time on the job and in the practice room, or listening to recordings for study purposes, that sometimes we are just too tired to listen critically to equipment as well - we just want to come home, put something on (usually not what we were just playing) and enjoy the music. Again, I myself like to do this on equipment that sounds great, and that is a big part of the pleasure for me. But a great many musicians (and regular folks, of course) can get alot of pleasure out of listening to crap recordings on a crap system. If we couldn't also get pleasure out of music, and be able to turn off the critical listening, we would go insane.

Casey 33 hits the nail on the head in his post - ultimately, if you are listening to the equipment instead of the music, as way too many audiophiles do, you are seriously missing the boat.
Proving again that there are many ways to get to heaven, my approach to new music is the polar opposite of Baroque lover's! I have a continual need for new music and I'll try almost anything. The internet is a great resource for discovering new music. If something seems interesting, you can generally find a clip or video that helps you make a decision. No more buying Blondie's "Plastic Letters" because Deborah Harry's legs looked great on the cover. (BTW, it's a great punk album.)

When I pull a record out it's fun to think about when and where I purchased it and also how life has changed since then. Trying new music leads me in unexpected directions. Stan Getz lead me to bossa nova and eventually to the Brazilian jazz pianist Chano Dominguez and to Marisa Monte, two of my favorites.

My listening moods are constantly and I'm willing to accept the occasional 'dud' purchased on an impulse. My collection is ~1800 records and ~700 CDs. My listening tastes are primarily jazz, rock/pop and Latin music. I recently received ~700 classical records from a college library and from a family member, so I'm starting to listen to them. I've also learned from experience to keep everything because who knows when I'll want to listen again. My teenage son is budding musician and I'm having tremendous fun rediscovering albums that I haven't heard in years. Who'd have thought I'd listen and enjoy AC/DC and Rush again?

I have one internal rule: I have to listen to a record at least five times before filing. If the yet to be filed shelf is full, I stop buying for a while.

I love variety. There’s just too many experiences too have when exploring recorded music. Also there’s just outstanding exampkes in every genre, old and new. If certain sounds and genres give me pleasure I may focus there for a while, trying to dig up the definitive recording. For example went down a 60’s Chicago blues road the other day. So many great recordings of great artists, as well as some Junior Kimbrough (not Chicago or 60’s) which may not be great recordings but a unique performer. Then I switched to all the Studio One releases you can stream now (70’s reggae), I’ve been listening to these all my life, but with streaming you can just get recordings that were once impossible to find. The business side of music limits what I think are reasonable varieties to what people would enjoy listing to, hopefully the cost (none) let’s you try new things, don’t get me started on all the great African recordings out there, and it’sa big continent so Madagascar to Congo. So much great stuff!