Tom Waits, Rain Dogs...


I'm embarrassed to say I just heard Tom Waits's Rain Dogs for the first time and I am blown away. It's an album Bruce Springsteen wishes he could make. The sound is just incredible and the arrangements are prefect. Tom makes it all sound so easy where Bruce makes it sound so hard.Bruce has yet to make an album with such an inspired performance and overall great sound quality as this one.
dreadhead
The similarities between the two artist mentioned is quite obvious, too me anyway. Haven't you guys heard Springsteen's rendition of Tom Wait's "Jersey Girl"? Beside the strong vocal comparison theres alot to be said for a shared mutual respect they seem to share. Listen to Rain Dogs and if you don't hear the Springsteen influences in the some of the electric guitar songs then your not really listening.

There are numerous great covers of Waits' songs (tops on my list would be Holly Cole's Temptation and John Hammond's Wicked Grin). I have heard Springsteen's Jersey Girl and it didn't strike me that the vocals were similar, though I certainly enjoyed it - great tune! Tom's voice has the gravely rough edges of too much whiskey and cigarettes at an early age. Springsteen is far smoother in comparison. I haven't listened to enough Springsteen to comment on the influences in the electric guitar you mention, or in any strong similarities that I picked up on. Yes, they are both story tellers , and they both seem to be telling stories about American characters (so I see your point there), but I feel Waits characters to be worlds away from Springsteen's. Waits is telling stories about folks in the darkest corners of the places most of us would prefer to avoid. He uses a vocabulary that is entirely foreign to Springsteen's lyrics and the musical tapestry he orchestrates his songs with are as complex and as rich as the tales he spins, drawing from perhaps upon more esoteric and diverse influences than I've ever heard from Springsteen. Springsteen's lyrics strike me as being more ballads for the common man, draped in an American flag and hinting at that glimmer of hope amidst the darkness of struggle, opression and despair. With Waits there is more often only darkness, depravity, as the down-and-out continue their downward spiral, or delight in their twisted ways. There is no hope, no American flags being proudly waved, no happy endings or dreams fulfilled. Just read the lyrics for any song on Rain Dogs which you enjoyed, and show me a Springsteen story that resembles any of them. If there is one I need to listen to more Springsteen (and again, I admit, I have not heard much - I may have owned three albums of his at one time or another and he never caught on).

Marco,
That's an excellent overview, I'd say. If you want to try some Springsteen that's a little closer to the darkness and depravity in Waits' music, give a listen to "Nebraska." It also is much starker musically, and closer to Waits in this way--which is not to say that it really SOUNDS like a Waits' album at all. It's just closer than any other I can think of....
Hey Walter - thanks for that. Nebraska was one of three Springsteen albums I used to have, and it was the one I liked the best of the three. The other two were, "Born in the USA" and "The Wild and the Innocent and the E Street Shuffle". I lost them all when I sold all my vinyl :-( Given the thread (thanks Dreadhead) I'll have to give "Nebraska" another listen.

I can't really think of anyone who actually reminds me of Waits because he's so unique. There's certainly artists who sound as if they have similar influences, but they are few and far between, and a far cry from combining all of the unique talents Waits demonstrates. Some who come to mind Jeremy Wallace whose voice strikes of a younger Waits (check out his version of St. James Infirmary on "My Lucky Day"), and Damien Jurado's very dark CD "Where Shall you Take Me" (the cut "Amateur Night" reminds me very much of Waits' songs, "What's He Building in There" and "Frank's Wild Years", though Jurado does not use the kaleidiscopic tapestry of noises and atmospheric sounds that Waits likes to weave, nor does it have the wicked humor that is such a trademark of Waits tunes. Waits is such a craftsman with words...you get the sense that he really loves "words"...like some 'collector' might. Waits has me smiling frequently...just like the most appropriate title of John Hammond's cover album, "Wicked Grin". His humor is as sharp as a straight razor.


Yeah, I agree that Waits really is one of a kind. My first experience with his work was hearing "Heart Attack and Vine" in college. It blew me away, and I've been a big fan ever since. "Swordfishtrombones" is my personal favorite, although there are lots of great ones to choose among. The lyrics really are just about perfect, but I also do love those "kaleidoscopic" soundscapes you mentioned. Have you heard the two Latin Playboys albums? The band is a kind of side project for members of Los Lobos, and they get that same kind of vibe, at least in terms of the sound. Much different from anything Los Lobos has done, even their more experimental records, like Colossal Head and Kiko.

Thanks for your suggestions! I will track them down.