Tom Waits, Rain Dogs...


I'm embarrassed to say I just heard Tom Waits's Rain Dogs for the first time and I am blown away. It's an album Bruce Springsteen wishes he could make. The sound is just incredible and the arrangements are prefect. Tom makes it all sound so easy where Bruce makes it sound so hard.Bruce has yet to make an album with such an inspired performance and overall great sound quality as this one.
dreadhead
I find this thread interesting because my first reaction was similar to Marco's. Upon further consideration, as Springsteen's music has gotten darker over the years, I can see where it's starting to approach Waits' sandbox(at least lyrically). In that way, they are plying the same territory. Musically, IMHO, the best you can say is that both are rooted in the blues which occassionally allows for some overlap.

To me, the biggest difference is that Springsteen is literal (both musically and lyrically) where Waits is more fantasical (word advisedly chosen to reference the literary genre). Waits' musical style abstracts traditional rock vocabularly while Sprinsteen's celebrates it. Waits' lyrical style takes dark tales of America toward the surreal, rather than Sprinsteen's real.

I'll take Waits, but I'll also take TC Boyle over Richard Russo - not necessarily the first alternatives you might pair, but not unlike the one posed by this thread and, IMHO, not unreasonable. My taste runs toward the more obviously "imaginative" take on certain common themes, but I also understand why some folks would go the other way.

Marty
Try "mule." Even better than "rain."

I love all Waits stuff, but I would say that Mule Variations, Bone Machine, and his more recent stuff are perhaps less "accessible" to your average listener than Rain Dogs, and even more so than his earlier stuff like "Small Change" and "Blue Valentine". Not to discourage anyone from getting it, but it is a further and further distanced from anything from Springsteen that I've ever heard. I doubt you will ever hear Springsteen covering "Filipino Box Spring Hog" anytime soon :-) I find myself listening to his Island Records releases most of all. I have to be in the right mood for the more recent stuff like "Alice" and "Blood Money", though I do love both. They have sharper teeth and can be more jarring in that way. Really easy to listen to are the earlier stuff I mentioned above, but those do not have the textural complexities of soundscape that he started to really start to develop later on. The best-of CD I was thinking of from the Island years is titled Beautiful Maladies.