How to reproduce sound of piano



I currently own a decent rig, Mac MA 2275, AP Sparks, Marantz 8001, Rega Apollo, Benchmark DAC w/ Squeezebox Duet. I love the way it sounds with jazz, voice, orchestral works and also it's decent with chamber music.

But I find when I'm listening to piano solo performances it doesn't quite sound nearly good as the live instrument. This is too bad because I mainly listen to classical piano works. I want to build a new system from scratch dedicated to listen to solo piano works as well as piano conertos.
I don't care for "warmth", "timbre", "soundstage" or other loaded audiophile terms. Just want absolutely accurate piano reproduction as possible.

What qualities should I look for? Analog vs digital source. Solid state vs tube amp? I find my tube amp unable to keep up with technical masters as Pollini or Horowitz. But will going to SS take away from the performces of more romantic pianists like Kempf and Zimerman? As for speakers, I never heard of a speaker capable of reproducing the deep bass of a 9ft+ concert Steinway grand. Are electrostatics way to go? My budget is around $25K USD. Thanks for any feedback.
plaser
I have a slightly different perspective on how a piano should sound - from the keyboard. Yes, I play.

I've often found that someone who listens at concerts to a piano on a stage has a very different view of what that piano should sound like than someone who sits and listens in their home, or from someone who (like myself) sits behind the keyboard and plays.

There's so many different recordings of piano with such differing results. My personal favorites tend to be the ones that sound like I hear it when I play. I tend to like recordings by Herbie Hancock, Chic Corea and a few others for this very reason. Others may have different opinions, of course.

Good luck with your quest,
Bob
Jax,

The lowest pitched key on a typical piano is tuned to 27.5 hz. Bosendorfer makes a 96 key grand which adds an extra octave of bass - so the spec you cited is about right. Now, finding a recording which contains that information is another story!

IMHO, use of subs is appropriate to this instrument - and good digital pianos are often demo'd with subs for this very reason. It's certainly possible that there's a full range speaker out there which will reproduce the lowest notes of a full grand without compromising the rest of the response, but I believe that you've got a lot better shot at success if you use a sub, or a speaker with a built-in sub for this application.

As to the room - this is always a limitation to loudspeaker perfomance, particularly in the bass region. There are other contributors here who are more technically informed on the subject, but I can say that flat frequency response into the mid 20hz range is acheivable in a reasonably sized room. I have eq'd to this performance (and measured it) with subs and a Velodyne SMS-1 sub controller/PEq/room analyzer. I've also heard this response with quality pipe organ recordings. Honestly, that feels a bit like a parlor trick, but the SMS/sub combo really does a great job on the lowest octave of my best piano recordings.

Marty
Oops!

I just looked at the photo of Plaser's room. As per Emily Litella...never mind!

Marty

PS - For those interested, Synthology software makes a program called Ivory, which contains hypersampled "voices" of 3 pianos for use with a midi keyboard controller and audio system (digital piano). One of the pianos is the 96 key Bosendorfer.
Shadorne

I agree with you:

"You guys are on to something - how to make a grand piano sound real in a room that is not big enough for a grand piano. It seems we all missed the obvious...it just ain't possible. The room is a good 50% of what you hear..."

And my opinion:

A large slice of something good, is still very good...even if it leaves you wanting the whole pie.

30hz or so, while not the whole pie, would still be quite filling.

I know that in my room, listening to piano with one speaker system or the other (-3db@17hz) or (-3db@27hz)...there is not enough bass difference to even bother with.

The only difference between the two speaker systems is sound quality, one system being a large multi-cone type, and the other, a large planer. (I prefer dipole bass for music).

Dave
I just had a thought - maybe the problem is not pant flapping bass, or even deep bass, maybe it is a simple as a suck out in the upper bass. A broad and deep enuf suck out in the 60 and/or 120 hz range for example would surely rob enuf tone to make a piano sound unreal. Wonder if, or if not why not, Phaser hasn't evaluated the performance of his speakers in room performance. Perhaps he has some issues that are remedial by speaker movement, listening chair movement (often a biggie), or which are NOT remedial by addition of a sub (deep nulls related to the rooms dimensions for example). A test disc and a SPL meter might be of move value than any sub at this point in time. :-)