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Jeff Beck "performing this week" OMG

I know I just finished listening to this disc. I know that sometimes music doesn't always hold up after repeated listenings. I also know that this disc is the single best guitar performance I have heard maybe ever. Last night I had just finished listening to Santanas " song of the wind" and was wondering what had become of this level of virtuosity in todays music. I put on "perform this week" which I had bought on a whim and was dumbstruck. Many years ago I was a big Jeff Beck fan but had lost some interest as I felt he was stuck in a fusion time capsule. He was terrific on Claptons crossroads ( he's always been a great blues player) and his manic depression on a Hendrix tribute was fantastic so I bought the disc hoping to not be too dissapointed. Never EVER have I heard such beauty and virtuosity at the same time. I've seen a clean SRV in concert. I saw Return to Forever back in the day. I've seen Albert King, BB king, Mclaughlin/Dimeola/Delucia, John Mayer, Eric Clapton, Santana, Buddy Guy and a hundred others that don't come to mind just now. This is a supreme performance of jazz, rock, blues even reggae. Listening to this reminds me of the story of Sonny Rollins listening to john Coltranes "Giant Steps" and retiring for two years. It was just too mind blowing. The band and the recording quality are likewise topnotch. I know this is way over the top but to me at least it's that good. Check it out. - Jim
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bongofury
1,160 posts
 
Shadorne and Aldavis

I am related to "Big Dom" Mumolo, who just passed away this week at 91 in Rancho Palo Verdes, CA. One of the best session alto sax players in his day, played with everyone from the Ella, Duke, Frank, Dino, Sammy, and Nat (was on "Unforgettable"), both in the studio and television. Really incredible player, and played up to the day he died (had 12 students and retired from touring at 89).

My last conversation with him was a two hour stretch two weeks ago, where he talked at length about all the Jazz Orchestra arrangements he had worked on and how they had to "one take" everything back in the day, so you literally had to sheet read and produce over any genre in a moments notice. Not many musicians today could probably roll with the previous environment of rich improvisation, so I am always amazed when I come across artists like Jeff Beck who are more than one trick ponies.

There are the intangables like "in the pocket", "space", "groove" and "feel" that are so central to music that rarely get mentioned in these blog postings because very little gear can recreate this magic.
To go from Scatterbrain to Nadia on a dime and make it effortless is truly a gift.
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aldavis OP
202 posts
 
Right on brother. Most people get caught up in all kinds of audio gobledegook like to justify their investment. Take " transparency" for example. You only know if something is transparent if you know what it sounded like in the studio or at the venue. My guess is that most audiophiles don't and rely more on comformance to certain kinds of sound that they have been taught by manufacturers and critics to expect and to associate with high end stereo. How often do you hear about tone in a right up or an ad ? For me it's all about the things you mentioned because to me thats what makes great music. Getting that to translate well at home is what motivates me to spend so much time on this crazy hobby. And you're right - it isn't easy. - Jim
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shadorne
7,477 posts
 
My Condolences. I will add that 91 is pretty good going though!

I looked him up and he was on Sinatra's "White Christmas" (Capitol Years) - so I figure nearly everyone alive has probably heard Big Dom although they might not know it.
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aldavis OP
202 posts
 
I'm sorry for your loss bongofury. It's wonderful to see someone fully enjoying his life doing what he loved to do and sharing it with others. He must have been very special. - Jim
bongofury
1,160 posts
 
Thanks for your good thoughts. He left three generations of players (son, grandson, and great grandchildren) below him. He was the patron and could play to a professional level up until he died, running circles around the rest of his family. In total, we have six remaining pro working musicians in my extended family and I have been in the management side of the biz for three decades, with a web design and live tour production company. I am the black sheep at family parties since I can't play a lick.

"You only know if something is transparent if you know what it sounded like in the studio or at the venue. My guess is that most audiophiles don't and rely more on comformance to certain kinds of sound that they have been taught by manufacturers and critics to expect and to associate with high end stereo."

Jim: totally agree with your statement. Most audiophile systems I hear are overbuilt for the room they lie in, with poor sound dynamics caused by too many watts pushing air in disportionate levels, hampered by the box like structure of most homes. Very few consumers appear to know how to balance out a stereo system in a near field "musical" environment. I have usually seen the opposite--soundstages overwhelming the room. I know many well healed consumers addicted to the pursuit of capturing and recreating the "live" extended bass and the sizzling horns--the holy grail.
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