Tube,
Interesting take and I (sort of) agree with a lot of your views (particularly re: boogie woogie), but..."I never saw a direct link between blues and early RnR"?
I'm not sure I understand. Aside from the piano blues forms that inform barrelhouse and boogie woogie itself, Chuck Berry oozes the blues guitar tradition, no? That connection might be even clearer on the early Gatemouth Brown Peacock recordings I mentioned, but it seems pretty clear (to me) on Berry's records, too. And if it's not immediately clear from Berry, listen to Gatemouth, then Berry and I can't believe it won't be clear then. Are you saying something different?
Marty
BTW, I see the structural elements of RnR in Jordan's stuff, but the instrumentation is sufficiently foreign to the RnR convention that I'd hesitate to tag it RnR music (though many others would agree with you on that one).
Interesting take and I (sort of) agree with a lot of your views (particularly re: boogie woogie), but..."I never saw a direct link between blues and early RnR"?
I'm not sure I understand. Aside from the piano blues forms that inform barrelhouse and boogie woogie itself, Chuck Berry oozes the blues guitar tradition, no? That connection might be even clearer on the early Gatemouth Brown Peacock recordings I mentioned, but it seems pretty clear (to me) on Berry's records, too. And if it's not immediately clear from Berry, listen to Gatemouth, then Berry and I can't believe it won't be clear then. Are you saying something different?
Marty
BTW, I see the structural elements of RnR in Jordan's stuff, but the instrumentation is sufficiently foreign to the RnR convention that I'd hesitate to tag it RnR music (though many others would agree with you on that one).