smokin' recommendation: Evan Parker's "TIME LAPSE"


Evan Parker, first generation British improvisor, collaborated with genius producer John Zorn to produce one of the most shockingly brilliant albums of solo sax I have ever heard. It consists of overdubbed pieces, often reminiscent of Terry Riley's minimal soprano loops of the 70's. It is a spectacularly recorded album, very intimate sounding in its presentation of these vast sonic fields. Any fans of minimalism or free jazz will be duly challenged and delighted. 5 stars!

Title: 'Time Lapse'
Label: Tzadik
chashmal
Mofi: There are a lot of different types of awful out there, but I bet this album isn't your garden variety. It would be interesting to hear a more in depth critique from a music lover such as yourself. If the sax comment got you then maybe you love jazz. If you love jazz then you probably love improvisation. Evan Parker is regarded as a master, whether you like it or not. I'm not recommending an unknown obscure jerk here. This is worth thinking about...if you want to. If not, don't!

Eslaudio: no one has to justify anything to me, of course. I thought it would spark an interesting discussion, that's all. No harm done.
When I share music with others and hope they'll listen critically at a level deeper than mere reaction, I try to give them more than a superficial description of why I consider it meaningful to me in the first place. This is especially true when we've never met before. Just a thought...
Hey thanks for the recommendation. I'll definitely be checking it out and not just listening to a short clip of it either. I think you put out a fair warning when you said any fans of minimalism or free jazz would be interested. I really like Evan Parker and have quite a few of his albums. I'm looking forward to checking this one out.
Chashmal: I certainly do not condemn you for your taste. It just is not mine. I do like some free jazz, it is just that this is a bit too free :)
Jtinn: yes, it is a bit too obtuse for most people.

I think EP does something really evocative with his technique of circular breathing. When it seems he is repeating a phrase you can hear the breath subtly modulating variations that are constant unique inventions, but very delicate. This is his genius. I think there is nothing like it.

An album which is a great example of this without the overdubs is "Conic sections". Very very hard to find on vinyl, but out on CD.