I guess I'm not so much interested in multi-miked / mixed recordings as simply ones that are recorded close up, with minimal hall ambiance. I think that just tends to dull the impact of the transients, string resonances, etc. I'd also like the drums to have a little more impact. I mean a kettle drum is all about drama, so why is it so often recorded in such a polite and aloof manner?
So maybe I should ask what you guys look for to ensure the best recordings sonically? Is there a reliable reference guide, some particular recording technique mentioned in the liner notes (natural soundstaging -- is that formally defined, or simply a casual term?), a particular recording company you look for? BTW, I just picked up Julia Fischer / Kreizberg "Russian Violin Concertos" on PentaTone SACD, recorded by Polyhymnia (former Philips Classics Recording Center people), and it meets my criteria.
So maybe I should ask what you guys look for to ensure the best recordings sonically? Is there a reliable reference guide, some particular recording technique mentioned in the liner notes (natural soundstaging -- is that formally defined, or simply a casual term?), a particular recording company you look for? BTW, I just picked up Julia Fischer / Kreizberg "Russian Violin Concertos" on PentaTone SACD, recorded by Polyhymnia (former Philips Classics Recording Center people), and it meets my criteria.