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The Great Vinyl Debate

Vinyl record prices are out of control. Their quality is also lacking: Too many poor pressings and cheap packaging (paper sleeves and cheap card stock outer sleeves) don't justify the price. My question is why is this happening?

I refuse to buy re-issues when used originals can still be had cut from the original analog sources to those that love to search for them (I get that some folks don't care for hunting/waiting) and ultimatly find them.

The trouble I have is with the price of "new vinyl." It varies of course, but both indie and major label vinyl records are grossly over priced IMO. I have no qualms about supported an artist whatsoever, however the average price for LPs both single and double and box sets are outragous.

Labels, distributors et. al. appear to be taking advantage of an inflated/exaggerated supply and demand equilibrium more so these days than ever before. Why is this? Even tho I've been hearing and reading about the vinyl resurgance since 2007 and the plethora of other documents stating that it's on the rise - even that vinyl is killing the compact disc - only 3 people where I work have turntables (that includes me) but I'm the only one that actually listens to, and buys records. In my world, I don't see the resurgance at all. But I do see inflated record prices along the lines of $46 for double LPs and $35 dollars for single LPs! These aren't re-issue inflated prices either - these are new music prices. And most if not all don't include "free MP3 downloads" (who wants MP3's anyway?)

Perhaps the recording industry believes that if they have a customer base that will pay $2000 for one foot of power cord or $10K+ for turntables (sans tonearm and cartridge) - we won't balk at $30 150 gram records or multi-hundred dollar box sets.

I'm a music lover not a sucka. Hey music industry mad men I'm on to you - the revolution is now....
notec
garn509
98 posts
 
Apparently, the thread has spawned The Great Turntable Tracking Debate. In the realm of pivot style tone arms, is there any manufacturer who makes a pivoting cartridge joint
to offset the decreasing groove circumference ? Would this solve the problem ?
dgarretson
2,593 posts
 
With a linear arm it is critical for the air manifold to be exactly parallel with the plinth and wand length to be set so the stylus will obtain perfect zenith. If this set-up is not achieved then the linear arm will perpetuate a constant tracking error all across the LP and sound worse toward the center as the radius of the groove tightens. With exacting set-up the arm will sound the same all across the radius.

IMO it is amusing to hear staunch advocates of long pivot arms claim that you can hear the roughly 1% reduction in tracking error that a 12" pivot arm achieves relative to a conventional pivot arm, while also maintaining that the further reduction of .3%-1% down to zero available with a linear arm is unremarkable.
tzh21y
1,654 posts
 
good question garn
has2be's avatar
has2be
555 posts
 
"is there any manufacturer who makes a pivoting cartridge joint
to offset the decreasing groove circumference ?"
Garn 509, yes there is! The Sakura RS 1 has just that feature. Have heard one and it sounded incredible all the way through the album side. But at 1400 bucks for an arm that is not fastened in place ,has no adjustment and wires more delicate than an 85 year old womans bones, is a pain to install a cartridge on and just does not look worth the price. Although not for the squeamish or the fiddling tweaker its abilities heard with ones ears defies what ones eyes see. Myself personally I just could not bring myself to put out 1400 bucks for it.
Maybe audiofeil could chime in here as he may have more insight and knowledge of this arm through his experience. Put down the bong Bill!
Cheers
garn509
98 posts
 
has2be --Could the cartridge pivot from above on the mounting bracket?
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