I use a BMC MCCI phono stage and agree with Fremer that it is the best or second only to the Ypsilon phono stage. But this piece requires XLR inputs. Of course there are not HFC cables with XLRs. For this reason, I had special adapters for conversion from SE to XLRs and finally did get HFC UR phono cables that displaced my Ikeda specially wired XLR cables.
Since the HFC cables, no doubt, will further breakin, all I can say at this time is that the Ikeda cables will not go back in. I had thought that my music server playing double DSD had closed the gap, but now that is absurd. It is not even close! I have long used Sinatra at the Sands with Count Basie as a test. I always thought it was an unusually good recording. It is indeed! Now I hear the reverb in the room and the Basie band even when they are not playing.
Of course other things in my system contribute to this, but these cables on phono are revolutionary in my experience.
Since the HFC cables, no doubt, will further breakin, all I can say at this time is that the Ikeda cables will not go back in. I had thought that my music server playing double DSD had closed the gap, but now that is absurd. It is not even close! I have long used Sinatra at the Sands with Count Basie as a test. I always thought it was an unusually good recording. It is indeed! Now I hear the reverb in the room and the Basie band even when they are not playing.
Of course other things in my system contribute to this, but these cables on phono are revolutionary in my experience.