The new Bob Dylan

Thanks for the recommendation. Checked him out and enjoyed what he had to offer. Always enjoy recommendations, and of course it is up to the listener to decide if it suits their tastes. Similar to the ongoing debate here about speakers, tubes vs. ss, etc. LOL And of course treading in the sacred territory of Dylan references brings what it brings. I love Dylan, but also appreciate that he is the benchmark for a style of music, so any comparison is just that - a reference point to an icon.

Haven't checked him out yet but I have to laugh because I remember the early 70's when there was a "new Bob Dylan" every time you turned around. Bruce Springsteen, Elliot Murphy, god-knows-who-else.
As you can see by the names, some survive on their own merits and some fade away. But every artist should make or break on their own, not by comparison to a superstar or legend.

Wow, some of the responses to this thread make it sound as though there's no hope for music. Do you guys just keep listening to the same stuff over and over again? There's no more inspiration for young minds? I invite you to search for the commencement speech Annie Lennox gave at Berklee College of Music in Boston last weekend. It's very inspiring. I'm sure these young adults would tend to disagree with the assumption that its over. In the grand scheme of things, maybe it's just begun.

Thanks for the post Todd.

I think there's plenty of hope for music. I've lived most of my life in two towns with plenty of way-off mainstream, experimental artists and have played with a few myself.
I just don't think there's hope for labeling a deserving artist as the "new" this or that. And, again, "the new Bob Dylans" have been showing up for over forty years, that's all I'm saying. It's a lazy and inaccurate thing to do and it's a disservice to both the older artist and the younger.

That said, the youngest artists I work with are 12 and 14 and all they want to play is swing and western swing. Nothing wrong with that either. Another young student of mine never wanted to play anything other than Bluegrass. He got a double degree (guitar and mandolin) at Berklee. There's a lot of ways to slice it.

If the music is good is doesn't matter if it's traditional or fresh and inventive in some way. If it's good it's good, if it's bad it's bad.

Well said, Tostadosunidos.