Building balanced interconnects--ideas


Want to make ultra high-quality, 1.5 meter interconnects with Furutech rhodium XLRs. I am open to dielectrics--could use teflon or silk or cotton tubing over ohno continuous cast wire--this is a must-have, either copper or silver. This construction requires solid wire, but what gauges work best in terms of skin effect/time delays? Or, do you prefer stranded wire with a foamed teflon? I would prefer to not use a wire/metal shield. I am thinking a three-wire braid, each wire having its own Techflex carbon braided shield. Which ideas have you had better success with? What type of solder is best? I think we all want some answers and testimony about wire construction--let's lay it down!
128x128jafreeman
Atmasphere--just to clarify, are you saying I should leave the ground pins unused--empty? I understand that pins 2 and 3 carry out what is intended by design in the Wadia 861SE and the ARC Reference 210s I am using. Both of these makers encourage the use of XLR to achieve best sound from their offerings. I now want to use the Duelund 2.0 silver ribbons with silk-impregnated dielectric, which I will individually sheath with FlexoConductive carbon-infused nylon braid--no metal shielding, no dead-end shield, just the 3 individually sheathed conductors in a loose twist/braid over 3 feet. But--bottom line question--are you saying I should leave the ground pins empty and use only the pins 2 & 3 conductors? My system is otherwise well-isolated and free of ground loops via Richard Gray's 240v/120v substation transformer and 1200S for front end. Thanks for your expert advice.
What type of shield material do your suggest? I want to avoid metal of any type, which would mean nothing soldered to pin 1. I hear you saying not to run a dedicated ground wire between pin 1, but to solder a shield to pin 1. If I don't want any metal at all, what should I do with pin 1 for continuity between the CD player and amps? Forgive my ignorance on this.
Jafreeman, seems to me that you have a misunderstanding of what balanced operation is all about.

The origin of the technology was to reduce the effects of cable length; essentially, its introduction made transcontinental and inter-continental phone calls possible. The recording industry seized on the obvious benefits for audio- essentially this technology makes the cables sonically transparent, without having to resort to expensive executions.

It *is* possible to operate balanced line without a shield. To do this though, it is imperative that the receiving end be not just balanced, but also differential.

The bottom line here is that there should be no signal currents flowing through the shield- if there were, it would not be possible to set up a balanced line without one!

Now a lot of high end audio preamp manufacturers don't realize this. This will force you to have either a shield or at the very least a 'drain wire' to make the ground connection.

So if you want to avoid using a shield, then you will have to use a wire, similar to what your conductors are made of. Failing that, IOW if you plan to have no connection on pin 1 at all, your source **must** drive only pin 2 and 3, and must ignore ground. If you have an ARC, CJ or Aesthitix as examples, this simply will not work.

IOW if you 'don't want any metal at all,' as you put it, you will not be having a connection either.

My point here is also that there is no need to go through such an exercise- that was/is the whole point of balanced line operation, and exotic cable constructions do not improve on that unless something else in the mix is gravely wrong.