Atmasphere--just to clarify, are you saying I should leave the ground pins unused--empty? I understand that pins 2 and 3 carry out what is intended by design in the Wadia 861SE and the ARC Reference 210s I am using. Both of these makers encourage the use of XLR to achieve best sound from their offerings. I now want to use the Duelund 2.0 silver ribbons with silk-impregnated dielectric, which I will individually sheath with FlexoConductive carbon-infused nylon braid--no metal shielding, no dead-end shield, just the 3 individually sheathed conductors in a loose twist/braid over 3 feet. But--bottom line question--are you saying I should leave the ground pins empty and use only the pins 2 & 3 conductors? My system is otherwise well-isolated and free of ground loops via Richard Gray's 240v/120v substation transformer and 1200S for front end. Thanks for your expert advice.
Building balanced interconnects--ideas
Want to make ultra high-quality, 1.5 meter interconnects with Furutech rhodium XLRs. I am open to dielectrics--could use teflon or silk or cotton tubing over ohno continuous cast wire--this is a must-have, either copper or silver. This construction requires solid wire, but what gauges work best in terms of skin effect/time delays? Or, do you prefer stranded wire with a foamed teflon? I would prefer to not use a wire/metal shield. I am thinking a three-wire braid, each wire having its own Techflex carbon braided shield. Which ideas have you had better success with? What type of solder is best? I think we all want some answers and testimony about wire construction--let's lay it down!
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- 13 posts total
- 13 posts total