I've placed a couple of folks in front of my system which, is quite good, and they didn't get it, and really had no interest in trying to. You really have to know how to critically listen to both live and reproduced music to first realize what is missing in a given situation, and then to be able to hear when it is present. To most people music is a flat directionless wash used for background(unless their system referance is an explosion coming from some back wall of a home theater) and things like sound stage placement and size, instrument space, cymbal decay characteristics etc have zero meaning for them. They don't even know they are missing anything and they don't know it when it's hitting them in the ears
What will it take to have live music for everyone?
Given that the best of equipment in the best of rooms can produce live sounding music under certain circumstances. Not live musicians in real amphitheaters, but reproduce the sound, feeling, air of the experience.
That leaves a rare few with that experience sometimes.
What will it take in audio for everyone to have that at a price that they can afford and are willing to pay?
That leaves a rare few with that experience sometimes.
What will it take in audio for everyone to have that at a price that they can afford and are willing to pay?
- ...
- 18 posts total
- 18 posts total