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Many reviewers will lead you down the wrong path.

A lot of reviewers will tell you that they listen for something specific on certain records to see if things are correctly setup. Either they don't know what they are talking about, or it is very misleading. This is how you tweak a system. One: use the objective parameters, i.e., tonearm should be level with record being played; speakers should be so many feet from the back and/or side wall, anti-skate dial should match tracking force dial, etc. Two: slightly tweak things one way or another, until you hear what does what. When they tell you that from memory, they think such-and-such, ask their age. I would discount anything they say if they are over 50(I'm 55). When you find out what does what, you will know what to do. If the final answer doesn't have the treble that you've heard before, or has sibilance, or not enough bass, too bad. You do not use things to dial in things that you know exist. Your job is to find out what is best for what you are dealing with. Ignore all the other stuff. You'll be glad that you heard this from me. Go on to other parameters, but do not try to dial in one thing from one tweak. That is not how it is done. You listen until you hear what one thing does and put that right.
mmakshak
kevziek
323 posts
 
Age isn't that relevant to ability to hear (maybe 70, not 50), nor is a bit of upper frequency loss. I know people who have some high frequency rolloff, and I do as well, and they hear quite well. I know that I can better evaluate and hear nuances now, at 40+, than I could at 21.

Much of this has to do with the hours of 'training' my ears received. As older, wiser, I can quickly pick out characteristics of a component that didn't gel in my 25 year old brain.

Reviewers are / write good and bad, and everything in between. And some of them hear a lot better than others, just like people do on this site. Your truth may not be my truth, because our minds and personas decode our experiences differently. I suggest reading many different reviewers' opinions, and then listening to the products yourself. In the end, it is your opinion that matters the most, as whatever sound makes you happy is what you should buy.
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zaikesman
3,017 posts
 
Kal:

"I'd be more concerned with those who do not preface their comparisons with a disclaimer"
And I'd be inclined to agree with you -- except that, in many instances, how could a reader (or an editor for that matter) even tell when a disclaimer wasn't used which ought to have been?

[I mean, that'd be like somebody spelling a word which they can't spell or something...]
gregm
3,397 posts
 
Audio reviewing is done for entertainment purposes -- NOT for providing guidelines to interested parties.
It also seems to help the hi-end industry by keeping its products in the limelight (weak as this light may be).

Otherwise, why would most reviewers deal with components, most of the time -- "IMPROVE your system= buy a NEW component".

"Reviewers" could just as well write about improving a system with what is already there.
But it wouldn;t be as much fun, would it?
kr4's avatar
kr4
3,662 posts
 
Zaikesman wrote:
"I'd be more concerned with those who do not preface their comparisons with a disclaimer"
And I'd be inclined to agree with you -- except that, in many instances, how could a reader (or an editor for that matter) even tell when a disclaimer wasn't used which ought to have been?"

Sure. OTOH, if the writer does give the provenance of his comparison, you are better informed than not. Where the info is not given, you can only guess.

Kal
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