PS Audio Noise Harvester


Hi,

I just ordered a PS Audio Noise Harvester and I would like to know people's experince with the PS Audio Noise Harvester and the improvement in sound. Does it work also with a 220V system?

Thanks!

Thierry
vongphat
Thanks for the quick response Drubin.

I asked about your AC system / dedicated lines / aftermarket PC's, the placement of your Harvester's, the use of PLC's, etc... for specific reasons. I was trying to determine not only the effectiveness of the Harvester, but also how effective your dedicated lines, PC's, and PLC's were.

Out of curiosity, is the Harvester that is placed on one of your dedicated lines tied into the same circuit as your Foundation Research PLC or is it on the other circuit? Sean
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Hi Willster:

Thanks for your post. While I heard calmer HF I did actually here more and better HF that was not simply rolled off in any way to my ear. In one of my reference recordings a soprano background vocal that is not close mic'd is easier to hear overall and the highest range of her voice is more present. Cymbals and other things HF are easier to hear and more accurate and have more of their highest harmonics audible. Whatever the Harvesters are doing is fine with me.

ET
Drubin: It would appear that your combo of gear / power cords / AC system seems to be working quite well for you. That is, at least in terms of the purity of incoming AC signal AND in having selected gear that has a low level of self generated internal noise from within the components themselves. This shows competency in design of the power supply and / or power cords, which hopefully carried over into other parts of the circuitry too : ) Sean
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Electroid,
You may be mis-interpreting my comments. The rolloff of high frequency is on the power line, not on the reproduction of the recording. Yes, I can easily believe that if the RFI is reduced on your power lines that this would translate to a more relaxed and extended high frequency presentation without any rolloff. The removal of noise on power deliver is frequently described as translating to a "blacker" background on the music, which would allow a better presentation of low level detail and of high frequencies.