The WORST Components for Rock and Pop Music


Like many of you, I enjoy a wide variety of music.

Although there have been a few threads on topics like: "what speakers can really ROCK" etc, I have not found them to be very useful, as many of the recommendations would not suit my other preferences in music.

So here is an interesting and hopefully thought provoking way to look at this dilemma from a different perspective:

What components or systems, have you owned and loved, UNTIL you tried to play your favorite rock and roll or pop music?

What audiophile components would you recommend for everything BUT rock and pop?

For me, this brings back a memory of the CES show, circa 2004 when I was really excited to hear a gigantic pair of Sound Lab speakers.

They probably would have sent shivers down my spine with Patricia Barber, but with Jim Morrison and the Doors playing Peace Frog, I stood up and left the room.

Thanks for any thoughts or ideas.
cwlondon
Plus you have to factor in the fact that some rock recordings are poorly engineered (overcompressed, etc.)
I run Martin Logan Prodigy Speakers,have for years with excellent results and I basically only listen to hard rock.
I will say the system is far from sounding polite??
It all depends on they way you set it up just like it does with any other speaker or components,its all setup.
I would like to 2nd the opinion of Sogood51- i wanted something to play rock/pop music for my bedroom, and ended up with a JVC "Kaboom" box which sounded amazing in the store. when i fired it up at home with some jimi hendrix set to a volume i rarely listen to, i felt i had re-captured that REALLY ROCK-HEAVY dense sound i hadn't heard in years. in addition, the side firing speakers produced the kind of stereo field that hendrix and others were exploiting in those days (ping-ponging). they still make these boxes, and they do not distort until pushed almost all the way. i prefer not to play Mozart on the JVC, but it's really sad the last time i played Crosby, Stills, and Nash on my "accurate" system, where all of the sloppy mixing and timing errors drew my attention away from the timelessly great performances.
i can understand that these guys just wanted to record those great songs they had composed perhaps with a minimum of fuss, but those alblums are now classics; yet, their production standards are pretty low compared, for example, to recent madonna cd's...
Really, none of the modern, sleek loudspeakers with one or two 6.5 woofers are good for rock, they just lack the push for rock.
Sean,
Sounds like you have some electrostatics there!
As for the AR's, I had forgotten about the real big ones, esp. with the dual side firing 10's or 12's, yeah they probably really rock given enough juice. I'm thinking more in line with the 3's, 4's or 2's, the classic "new england" sound of 3 decades ago that AR is famous for, vs. say, Altec Lansing.