Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
Frogman said "where I have a problem in this shortsightedness is in how it can influence the young minds of young students and artists and stifle their growth." I agree 100%, and this is one of the many reasons why Branford has always puzzled me - he is the polar opposite of his brother in this respect. Wynton is a great educator. It's almost like Branford is an evil twin....
Learsfool, Cicero, the wisest of the pagans, said "he who does not know what transpired before him remains forever a child" .
The thing that makes you hunger to know the history of something or somebody is love.
They both have ego to spare, I'd wager Wynton loves jazz much more than his brother, who I would guess looks upon it, consciously or unconsciously, as a job.
Frogman, I've been ruminating on that b.s. solo concept you exponded on. Having never heard it before I'm been trying to come up with the best improvising artist I know of with my limited knowledge of jazz .
I keep coming back to Sonny Stitt who, to my ears, makes these endless runs away from the center of the melody while nevertheless enhanceing same and doing wonders to harmonics at the same time.
Another one is Ron Carter who can keep a steady baroque like beat while at the same time being very melodic , how this can be on one instrument is beyond me.
If I am full of b.s, fell free to say so, I really want to understand a bit more.