Thank you all for your responses. I was hoping to see 7 or 8 posts saying that's easy, diffusion. But I posted to leverage your experience before purchasing and it has already paid off.
Did a little more testing and review of the data. Found some hope in speaker placement and an interesting (and depressing) overall trend.
The room is a 60' long X 30' wide irregularly (almost a backward L) shaped finished basement. There is a "stadium" wall 9' wide at a 45 degree angle in one corner. That is where the system is set up, shooting out into the long part of the room. The only wall parallel or perpendicular to the speakers is the angled "stadium" wall. I think this contributes to the lack of boomy nodes.
The really serious nulls (-20 db.) are very location dependant. Move your head (or the meter) a foot or two and they change. Common sense seems to say that you would never be able to eliminate all the 2, 3, 4 hz. wide strong cancellations at a single position.
I moved the 1.6's straight back 5 inches and most of the nulls improved 4 or 5 db. I don't know if I like how it sounds as much (soundstage), but I may have to move my listening position to correspond to speaker movements. Classic chasing your tail.
The disturbing overall trend is.... the 1.6's probably average -7 or -8 db. from 80 hz. to 290 hz. (the range of this test CD is 10 hz. to 300 hz. in 1 hz. increments). That seems like a lot. A quick review of old Stereophile freq. response graphs shows the speakers fairly flat from 50 hz. to the crossover @ 600 hz.
Care to venture an opinion of the trend?
FYI- The 1.6's are -15db. @ 35hz., -7db. @ 40hz. -3db. @ 47 .hz or so. Didn't change a lick with speaker movement or starting SPL.
Jim S.
Did a little more testing and review of the data. Found some hope in speaker placement and an interesting (and depressing) overall trend.
The room is a 60' long X 30' wide irregularly (almost a backward L) shaped finished basement. There is a "stadium" wall 9' wide at a 45 degree angle in one corner. That is where the system is set up, shooting out into the long part of the room. The only wall parallel or perpendicular to the speakers is the angled "stadium" wall. I think this contributes to the lack of boomy nodes.
The really serious nulls (-20 db.) are very location dependant. Move your head (or the meter) a foot or two and they change. Common sense seems to say that you would never be able to eliminate all the 2, 3, 4 hz. wide strong cancellations at a single position.
I moved the 1.6's straight back 5 inches and most of the nulls improved 4 or 5 db. I don't know if I like how it sounds as much (soundstage), but I may have to move my listening position to correspond to speaker movements. Classic chasing your tail.
The disturbing overall trend is.... the 1.6's probably average -7 or -8 db. from 80 hz. to 290 hz. (the range of this test CD is 10 hz. to 300 hz. in 1 hz. increments). That seems like a lot. A quick review of old Stereophile freq. response graphs shows the speakers fairly flat from 50 hz. to the crossover @ 600 hz.
Care to venture an opinion of the trend?
FYI- The 1.6's are -15db. @ 35hz., -7db. @ 40hz. -3db. @ 47 .hz or so. Didn't change a lick with speaker movement or starting SPL.
Jim S.