My 2 cents -
1.It's about the music. Everything else is secondary.
2. Enjoying music isn't dependent on the technical/sonic attributes of the hardware (but I'm not saying great sounding equipment doesn't improve the experience).
3. In terms of sonic returns per $ invested, there is without doubt a point of diminishing returns (but where is that point and how does it vary for inividuals with widely different economic means?)
4. I suppose it is possible that $1500 well spent might sound better than $20K or more poorly spent - but I think you would have to work real hard to fritter away tens of thousands to make that system sound worse than a $1500 system (point taken about supporting room acoustics).
5. Listening is a skill and hearing ability varies amongst individuals. How many of us have perfect pitch? How many people are tone deaf and can't "carry a tune in a bucket"? How many can pick out a very subtle accidental mic hit in a studio demo tape? I witnessed this in a recording studio. No one heard it until the guy making the music pointed it out and edited it out of the tape. I've used the term "golden ears" in a somewhat derogatory fashion myself. On the other hand, listening to stuff I could never afford did help train my ear (an ongoing process) and help inform my purchases of lower cost equipment.
1.It's about the music. Everything else is secondary.
2. Enjoying music isn't dependent on the technical/sonic attributes of the hardware (but I'm not saying great sounding equipment doesn't improve the experience).
3. In terms of sonic returns per $ invested, there is without doubt a point of diminishing returns (but where is that point and how does it vary for inividuals with widely different economic means?)
4. I suppose it is possible that $1500 well spent might sound better than $20K or more poorly spent - but I think you would have to work real hard to fritter away tens of thousands to make that system sound worse than a $1500 system (point taken about supporting room acoustics).
5. Listening is a skill and hearing ability varies amongst individuals. How many of us have perfect pitch? How many people are tone deaf and can't "carry a tune in a bucket"? How many can pick out a very subtle accidental mic hit in a studio demo tape? I witnessed this in a recording studio. No one heard it until the guy making the music pointed it out and edited it out of the tape. I've used the term "golden ears" in a somewhat derogatory fashion myself. On the other hand, listening to stuff I could never afford did help train my ear (an ongoing process) and help inform my purchases of lower cost equipment.