Chris, I distinguish modifiers from general DIYers in this regard. A modifier has the opportunity to start with a stock component & control variables by making small incremental changes. After 10 or so such changes to a component the ear has received an education as a test instrument. The non-DIYer audiophile has only the opportunity to swap whole components. This brings in a wider range of variables between models & manufacturers to complicate comparisons. It is more difficult to evaluate component A relative to component B, than it is to evaluate component A relative to component A with mod B. The modifier is simply extending the R&D of the original designer, freed from the constraints of development cycles & costs.
Audiophiles vs DIY-o-philes
Hi folks, I've been visiting the DIYaudio forum during the last weeks or so and it appears to me that the people who are discussing matters are often very well informed about the technical issues and often have a technical background as well. but sometimes I have the impression that these wonderful people are emphasizing the technical rather than the non-technical issues, like: how a unit really sounds. The term "musicality" is not for the techies but more for the non-technical audiophiles and musicians. But what does the audio-music-o-phile wants? Isn't that to get a "musical" and emotional sound that will bring him closer to "live"? This is a prelude to a very controversial issue that I want to discuss: are the audio-techno-philes who are measuring and DIY'ing things more concerned with measurement data and circuit topologies rather than with how a unit really sounds?
Chris
Chris
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- 22 posts total
- 22 posts total