Interesting responses.
I usually just listen, or read the liner notes to the LPs that I am listening to (or are about to listen to).
But one thing I do, that either some, or most, of the people who responded to this point did not mention, is sit down with a glass of "something". I find that it helps me relax, and become immersed in the music.
That "something" being either a glass of white wine, typically Chardonnay (I don't drink red), or a nice beer, something like a nice imported or microbrew beer, (like a Beck's Dark or an Anchor Steam), or better yet a big bottle beer, like a Maudite, or (for me) the best being a Blue label Chimay!
I am not saying that I get plastered, (as I usually only have one or two drinks over a two to three hour period), but I will say that I usually can feel its affects. (And yes, it definitely makes the music sound "better", and of course that also means that I am not critically listening to either the music, or the equipment. (For critical listening, especially for equipment review purposes, I tend not to imbide, as I realise that it can mask whatever I am listening for.)
My two cents worth.
I usually just listen, or read the liner notes to the LPs that I am listening to (or are about to listen to).
But one thing I do, that either some, or most, of the people who responded to this point did not mention, is sit down with a glass of "something". I find that it helps me relax, and become immersed in the music.
That "something" being either a glass of white wine, typically Chardonnay (I don't drink red), or a nice beer, something like a nice imported or microbrew beer, (like a Beck's Dark or an Anchor Steam), or better yet a big bottle beer, like a Maudite, or (for me) the best being a Blue label Chimay!
I am not saying that I get plastered, (as I usually only have one or two drinks over a two to three hour period), but I will say that I usually can feel its affects. (And yes, it definitely makes the music sound "better", and of course that also means that I am not critically listening to either the music, or the equipment. (For critical listening, especially for equipment review purposes, I tend not to imbide, as I realise that it can mask whatever I am listening for.)
My two cents worth.