I also love my 2.5s. I took a year to buy them after bringing 11 different speakers into my home for auditions. I've not heard any ARC/2.5 combos but know a couple people who have. They say it's as if the 2.5 was designed for ARC. I, however, drive them in a small room (11 x 13.5) with an AirTight 300B amp and get satisfactory volume and dynamics. The 2.5s are music a lover's speakers, not a "device for the transfer of an electrical signal into a mechanical impulse". I've not heard any Thiels in 5 yrs (tried a pair at home, drove me and my wife from the room!) and I also tried the floorstanding Aerial three way at home. Univolving and a bit artificial sounding, to my taste. Wonderfully built, though, and fairly priced. The ProAcs are overpriced - buy 'em used.
Aerial 7bs or Proac Response 2.5?
I've been scuttling around the state of NC listening to speakers, as I'm thinking of upgrading from my Vandersteen 2ce Signatures. So far, I've heard the Revel F30s, a set of B&Ws floorstanders (didn't catch the model number, but they ran about $2500) The ProAc Response 2.5s, the Vandersteen 3a Signatures, the Aerial 8b, 7b, and 6s, with the Sonus Faber Grand Pianos and Vienna Acoustics Beethoven to come. That's about it for the high-end pickings hereabout, and so far the ProAcs and Aerial 7bs are my favorites. Any opinions? I'm looking for a more resoved, clearer, speaker than the Vandersteens, but that will have low listening fatigue. I'll be running them with Audio Research equipment, likely, although I might be willing to rematch electronics to a speaker I love.
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