listen jazz, piano, voice etc, or use Ortofon Test Record Vinyl LP if you’d prefer adv. measurements!
ATN160ml Beryllium MicroLine Stylus on AT150e body
link to the eBay item I bought
I wanted light 1.25g tracking, and stiff Beryllium Cantilever (best bass I ever had was Shure V15Vxmr beryllium microline, SME arm, TD124 TT, tracking was 1.0g),
I got both, and the azimuth adjustable headshell.
It is a Genuine ATN160ML Beryllium Cantilever with MicroLine Stylus
............. HOWEVER ............ I removed it from the headshell, it’s ID is on the top
The gold body is an AT150e, not a at160 body.
(they look identical, let’s say seller probably unaware)
Aligned, played 1 side of an LP I inherited, it sounds fabulous
I’ve been listening, getting ready, my AT33PTG/II boron; Sumiko Talisman Sapphire Tube both track at what I consider a heavy 2.0g
I recently found this, Julius Pepper Adams Baritone Sax player gives his Bass Player George Mraz many solos (as well as the pianist and drummer). Thin flimsy vinyl, holy smokes it’s well recorded, live in a small club.
https://www.discogs.com/release/6312111-Various-The-Bass
https://www.discogs.com/master/204354-Cecil-McBee-Alternate-Spaces
seller has many cartridges, a few like this, so would you return it, try to get one with a true AT160 Body?
Anybody know what difference it might make?
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Dear @westcoastaudiophile " AT150E/Ea/......"
I'm sorry but you have a misunderstood about that those ones are a little " better " than the 160ML, let me explain it:
the 150E was designed in November 1979, the 150Ea in April 1983 and the 160ML in December 1982. The inductance is the same in the 150E and the 160ML and a tiny lower in the 150Ea however the Frequency Response in the AT 160 ML is way better than in both 150E/Ea: 5hz to 35khz in the 160ML against 10hz to 23khz in the 150EA.
Now, those cartridges came with the same cartridge body shape but the cartridge motor in the 160 is way better and with higuer quality level performance.
I owned all those models and still own the 160, even the 150MLX can't outperform the 160 and its spec is short to: 10hz-30khz.
In many ways the 160 can even and beats the 170/180ML that I still own too. Regards and enjoy the MUSIC NOT DISTORTIONS, R. |
@rauliruegas dear Raul, thanks for your response! All I tried to explain was a 160ml requires more attention to phono-cable&pre, and using 160ml stylus in 150e body might will work better in some scenarios.. also, subsonic cut-off filter most likely will be needed w/160ml as well. As of AT-ML180/OCC, this is the best sounding/measuring AT MM cart out all other MMs in my collection, not sure why it is not the case in your setup. ML180 diamond is the finest under my Zeiss microscope as well. //regards |
a few random finds to share Fm ronco on audiogon On a tangental note, I have fallen in love with Beryllium cantilever stylii. ........ I'm listening to "LA 4 Scores!" as I type. Might as well be in the club with them:-) Cantilever Info from Orbray, formerly Adamant Namiki (2023, long after beryllium was discontinued) https://orbray.com/en/product/jewel/product/cantilever.html Dr Tominari of Dynavector Systems Interview https://www.dynavector.com/pdf/hifiplus_issue8_40-48_dynavector.pdf
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- 27 posts total