Some great advice posted so far.
I would argue that the digital Sex Pistols back catalogue leaves a lot to be desired - especially The Great Rock 'N' Roll Swindle. (Best comp might be Kiss This).
In fact a lot of music cut for vinyl often never made it into great digital form eg Kinks, Hollies, Herman's Hermits and though it pains me to say it - even the Beatles. Overuse of digital compression is a near constant bugbear.
Of course there are always differences in opinion as to what is the best.
Should it be an accurate (recording blemishes and all) representation of the original vinyl release? Preferably one made from the best source tapes available.
Or should it be a transcription of what someone now thinks the original artist may have wanted eg mono into stereo? Or even what some executive thinks might currently sell.
Or would you prefer a Giles Martin type of remix which is something different altogether?
I would argue that the digital Sex Pistols back catalogue leaves a lot to be desired - especially The Great Rock 'N' Roll Swindle. (Best comp might be Kiss This).
In fact a lot of music cut for vinyl often never made it into great digital form eg Kinks, Hollies, Herman's Hermits and though it pains me to say it - even the Beatles. Overuse of digital compression is a near constant bugbear.
Of course there are always differences in opinion as to what is the best.
Should it be an accurate (recording blemishes and all) representation of the original vinyl release? Preferably one made from the best source tapes available.
Or should it be a transcription of what someone now thinks the original artist may have wanted eg mono into stereo? Or even what some executive thinks might currently sell.
Or would you prefer a Giles Martin type of remix which is something different altogether?