I've been lurking around this thread as I too have a Reference Sonata and felt it was very brash, comparing it to my Zu DL103 on my other table. Tried the 10k loading and it did the trick. Much more laid back but did not lose any of the sparkle.
Benefit of low output moving-iron Grado ?
Hi all,
I'm considering a cartridge upgrade from a high output (5mv) Grado Sonata cartridge to a moving-iron Grado Master cartridge, either a low output (.5mv) or a high output (5mv). If I choose the low output version, I would have to drop an additional $250 on a phono card for my Exposure amp, whereas I've already got the high output phono card installed.
So my question is....
a) is there a sonic improvement in low output cartridges, or is it more a matter of taste
b) I hear a kind of "shrillness" when vocalists use an "s", and with other very high frequency sounds.... is this shrillness reduced by using a low output cartridge?
c) does Grado's moving-iron type of cartridge have properties unlike moving magnet or moving coil that might be relevant to the other questions I raised?
Thanks in advance, and I always appreciate this forum.
I'm considering a cartridge upgrade from a high output (5mv) Grado Sonata cartridge to a moving-iron Grado Master cartridge, either a low output (.5mv) or a high output (5mv). If I choose the low output version, I would have to drop an additional $250 on a phono card for my Exposure amp, whereas I've already got the high output phono card installed.
So my question is....
a) is there a sonic improvement in low output cartridges, or is it more a matter of taste
b) I hear a kind of "shrillness" when vocalists use an "s", and with other very high frequency sounds.... is this shrillness reduced by using a low output cartridge?
c) does Grado's moving-iron type of cartridge have properties unlike moving magnet or moving coil that might be relevant to the other questions I raised?
Thanks in advance, and I always appreciate this forum.
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- 25 posts total
- 25 posts total