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Changing from Vinyl to Digital in Brave New World

This is bound to provoke some reactions, and I purposely posted in the analog forum since the digital forum is probably preaching to the converted.
(Maybe I don't want to make the change but enough self-analysis). I've owned and played vinyl since the mid-60's and have had numerous good to great rigs over the years, currently running something that is state of the art, big Kuzma table/Lamms/Avantgarde horns. I still have an old pair of Quad 57's which need restoration and a pair of Crosby Quads that haven't seen a charge since I bought the Avantgardes. And, anywhere from 6-8 thousand records.
Here's the question. I retired recently, and am planning to move (to Austin) where I will continue to work at what I love (ahem, it's music business, but that doesn't have anything to do with quality reproduction, I'm sorry to say).
Chances are, I will go from a big dedicated room to having virtually no space, and while I could store all this equipment and records, I'm just not sure it makes sense. (No this is not a subliminal ad for my record collection, not yet, anyway).
So, I'm struggling here with what to do, systemwise. Let's assume that I want small, in the sense of not taking up physical space, and I don't have room for all the vinyl, so I have to go 'digital.' And, to make it really challenging, I'm not going to do a complex system- maybe a very good pair of stereo speakers that don't take up much room, a good integrated (I've been using tubes since the early 70's but if I'm willing to go this far, wouldn't rule out something solid state) and a digital source- everything I've read seems to suggest that good digital sources are in a state of flux, and the standards for hi rez digital files are not fully settled. So I guess the main import of the question has to do with sources other than vinyl- i never really liked CDs for the home but could cope with computer audio if I don't have to spend my time reformatting files. Lastly, I could (and still plan) to refurbish the old Quads at some point, just because they are so iconic and could run them with the ML 2 Lamms, some OTLs or something less esoteric (Atmasphere 60's). But would be interested in views, from the analog crowd. (Let's not use this as a dump on digital thing since that won't help me sort out my thoughts).
TIA.

Bill hart
128x128whart
sandstone
358 posts
 
Bill,
In reading this excellent thread, it occurred to me that such an extensive vinyl music collection as yours represents a true labor of love and may contain many works that will be all but impossible to find for digital repurchase. Given this issue and the fact that you also own a state-of-the-art analog source, consider adding one of the better Analog-to -Digital processors to your arsenal of transition tools for ripping your own high resolution files. One possibility might be something like the Ayre Acoustics QA-9 due out this spring that should support LPCM to 24/192 and also DSD.
In any event, wishing you best of success in your new ventures.
vicdamone
850 posts
 
Peterayer has my vote. If you have to go to texas, Austin is not bad.

On the digital side it's really come a long way and the convenience will spoil you from day one. A newish Mac Mini and Pure Music software is where my recommendations end. The rest is a matter of time on the internet and diligent homework with you budget as a guid.

Some words of caution. The subjective words you've learned and lived with in the analog world such as "improvement, sounds much better than, a whole new level, and an obviously audible difference," are on a much smaller scale in the digital world.
The word asynchronous needs to qualified. Jitter is a ghost but its real. BNC can be 50 ohms or 75 ohms.

It's become obvious to me that the idea of fidelity in the digital community is different. Not that it's a bad thing or that they are all this way. It's just when you read a glowing comment you really need check the system background on that individual.

I ran across one guy who is very intelligent, well read, very knowledgable of many things digital, and thought highly of by his piers. Only to find out his only system is made up of sound cards driving some questionable powered speakers.

A few manufactures that might be a safe starting point for comparison and white papers: Empirical Audio, Wavelength Audio, Ayre, Metrum Acoustics.

Retirement, you wake up with nothing really to do, by noon your behind.
SENIOR DISCOUNT? Many Parks are now free for you and however is with you.
whart's avatar
whart OP
3,071 posts
 
All of you have been more than generous with your thoughts and time. You have also convinced me (surprise?) that I am not ready to give up vinyl, although I will probably cull the collection, at least by roughly separating what I think is worth keeping, and what I am willing to part with, before the LPs get stored. (No way can I show up in Austin with all this stuff, particularly if we start out renting until we find a more permanent home). On equipment changes, I will likely explore a turntable that takes less attention than the Kuzma XL/Airline (isolating this turntable isn't easy but its the arm pump that's really a pain). I'd like to hear the ARS Emitter with batteries at some point (which, though alot of chassis, eliminates the line stage, its power supply and the two mono amps). I also want to listen to some of the better small monitors. The footprint required for the horns means a big room, which I'm not sure I'll have. On the digital front, I will start experimenting on a small scale. I also want to get my Quad ESLs back up and running. I have a pair of vintage Quad II amps that also need to be gone over, but they deserve to see action again too.
Here's my email address, since you can't send private messages through the new audigon. (Couldn't we do that before?) Jfrech, and any others with Austin connections, I'd love to hear from you:
flyingreptilemedia@gmail.com
Best,
Bill Hart
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