Happen to you? Gear chasing because the fundamentals were wrong.

To be honest, when I first started out I fell for the hype when it comes to amps, power ratings and the like. Add speaker myths about efficiency and the dos and don'ts in all things audio. It was a learning curve for me.

Right now I'm running a 70 watt integrated with 87db rated speakers and experiencing the best sound ever. It's the perfect match for my apartment living room. Everything before it was simply overkill. 

All the best,
Nonoise

As you say it well , upgrading must not be motivated by only frustration..

We must learn the basic in electrical, mechanical and acoustical embeddings..

i learned it the hard way too...

Now i am completely happy with my 600 bucks system...

Upgrade is not an urge at all ... It is not even necessary because i felt no problems or limitations with my actual system...

But it is precisely because as you did yourself, i learned the basic , and now i am ready for the ultimate last and definitive upgrade at the lowest possible cost...Even if i dont need it, i know it will be a real upgrade..

This is the good news...

The bad news is my upgrades will cost me 15,000 bucks at least, it is much more than my basic actual system so satisfying it is... ... But instead of being in the minimal acoustical satisfaction threshold , i could be on the best ratio sound quality /price in the world ...( my headphone is really a top headphone )

--- To upgrade my low cost satisfying dac ( dac technology is now mature business low cost dac could be very good ) i will go with the complete new revolution in virtual acoustic room system for speakers and headphone by Dr. Choueri... I will buy his dac implementing his BACCH filters... Here there is no comparison with any other dac because the Choueri dac is a virtual room system patented by Choueri and not a standard dac with NO DEGRADATION OF TIMBRE ... ( i trust acousticians 😊)

--- for amplification i will go Atmasphere D amplification because i trust his craftmanship or To Benring tube ZOTL... I dont know which one for now.. But for sure they will beat my old astoundingly good Sansui alpha...I cannot imagine that Atmasphere and Berning will created inferior design... i am in faith here reading about them... i dream as i said because i dont need upgrading, but being an audiophile is a bit neurotic and dreaming about the best in the world... You know that i think..

--- And nevermind any other headphone i will keep the AKG K340 because i cannot fault it now and i dont know at all  how to upgrade it with improvement on all acoustic factors at play  and not only on one ? Because of his unique technology in headphone history his soundfield is unique... it is a creatuion by an acoustician physicist founder of AKG...  Then i will keep it... I had no idea how to beat it anyway...

Thanks for the interesting thread...

What fundamentals? Far too many and I should know better!

- Buying high end speakers with low end design

- Believing speakers needed to be big

- Believing subs are mainly for movies

- Thinking that my electronics, but mainly my amps were either the problem or the solution

- Accepting at some point that I fundamentally did not understand how what came out of my speakers eventually got to my ears, and what it did when it got there

- Realizing that audio dealers, at least the ones in my area of which there are many, don't know what they are talking about 95% of the time.

Great stuff! Thanks. Keep it coming.

@nonoise 

To be honest, when I first started out I fell for the hype when it comes to amps, power ratings and the like. Add speaker myths about efficiency and the dos and don'ts in all things audio. It was a learning curve for me.

Me too. I also didn't understand about impedance curves and phase angles.

Not understanding the frequency spectrum. Thinking that a flat room response is the ultimate pinnacle.  We all know how annoying peaks in the bass region can be, but I have since discovered that small peaks (around 3 db) at certain frequencies, in the mid’s and low mid’s can add a richness to vocals and that certain dips in the mid’s can remove a hollowness from vocals that can show up from time to time. A peak in the upper mid’s can add a very striking presence to vocals, lead guitar, acoustic guitar, upper register wind instruments and snare drum strikes. Strategic dips in the upper mid’s and highs can remove the hard edges that you sometimes hear on vocals and can diminish background noise that you don’t even know is there until it’s gone, which reveals a noticeable amount of clarity and detail and creates more air around each instrument. Lastly a peak in the upper high’s that can add a shimmer to cymbals that gives them an almost crystal like quality.