How does this make sense, any sense? Any sense at all??


I was just looking at Stereophile's  recommended components, for speakers. 
Within the Class A restricted extreme low frequencies category are:
KEF LS50 at $1500  and
Wilson Sasha at $38,000.
Why would you pay 38 grand when you can get the same category for 1500?  Why I say?

Even worse!!!
In the full range Class B category we have the KEF Ref. 5 at $20,000.
Why would you wanna pay $20,000 for a speaker that is outclassed by the same family (KEF LS50) at a fraction of the price?
How does this make any sense????
Stereophile, seriously.  Let 'er rip homie. 


shtinkydog
The ls50 is bettered by the inexpensive $449 Wharfedale 225’s....especially in the bass department. I now have Tamnoy legacy Eaton’s, but I will never ever part with my wharfedales....they are special speakers that are mind bogglingly good at what they are able to achieve at the price. Three Stereophile reviewers agree, and they won budget component of the year for a reason. 
I try to post questions that will not only incite a few very different points of views ( we are a wild bund, after all ), but also some playful banter.  Having fun while learning is what it's all about, right?
The "Big Room" thing always mystifies me...where are the Big Room people listening? 50 feet away from the speakers? My listening space is relatively large but I sit 8 or 9 feet from the speakers because that's where they sound best for me...not 30 feet away (which I could do I suppose)...my 2 little subs can rock the walls I guess but they aren't required to, and unless a room is full of inebriated dancers who cares? I can wheel out the pro stuff for that (and have for house concerts). If I want "big room" sound I get it from the concerts I mix for hundreds of people using thousands of PA watts for clarity with actual musicians (pre corona of course). In Goodwins "large room" listening area you aren't standing 100 feet away from the Magicos, nor should you.
The ls50 is bettered by the inexpensive $449 Wharfedale 225’s


And those are made better by inexpensive cap upgrades. :)
where are the Big Room people listening?
In the large listening rooms I have set up or listened in, the listening distances may be the same or a little greater then tooms you are used to. But listening to a small speaker, even at 9' away in a large space, is very different then listening to the same speaker in a large space. All speakers play with the room. Small rooms can be overloaded with sound (energy). Larger rooms can be underloaded(?), whereas there the room itself is damping the sound by the lack of reflection.