On the other hand, if you listen to some good live recordings, there is a very high probability you will never hear that same perfection and separation of instruments as you would on the recording in a live venue. Case in point, listen to the spring '77 Betty Board recordings and the 72 Dan Healy recordings of the Grateful Dead. The are incredible sounding recordings. Listen to a Here Comes Sunshine from 71-73 with headphones and you know exactly what I mean.
If you are listening to the Bruce Springsteen wall of sound, it doesn't matter where you sit in the venue, or your home. You are still going to get blasted with that damn wall of sound. I really appreciate Bruce, but when you can't distinguish the instruments, then well, I'll go back to Phil Spector.
If you are listening to the Bruce Springsteen wall of sound, it doesn't matter where you sit in the venue, or your home. You are still going to get blasted with that damn wall of sound. I really appreciate Bruce, but when you can't distinguish the instruments, then well, I'll go back to Phil Spector.