Musetec (LKS) MH-DA005 DAC


Some history: I was the OP on a four year old thread about the Chinese LKS MH-DA004 DAC. It achieved an underground buzz. The open architecture of its predecessor MH-DA003 made it the object of a lot of user mods, usually to its analog section, rolling op amps or replacing with discrete. The MH-DA004 with its new ESS chips and JFET analog section was called better then the modified older units. It has two ES9038pro DAC chips deliberately run warm, massive power supply, powered Amanero USB board, JFET section, 3 Crystek femtosecond clocks, Mundorf caps, Cardas connectors, etc., for about $1500. For this vinyl guy any reservation about ESS chips was resolved by the LKS implimentaion, but their revelation of detail was preserved, something that a listener to classic music especially appreciated. I made a list of DACs (many far more expensive) it was compared favorably to in forums. Modifications continued, now to clocks and caps. Components built to a price can be improved by costlier parts and the modifiers wrote glowingly of the SQ they achieved.

Meanwhile, during the 4 years after release of the MH-DA004, LKS (now Musetec) worked on the new MH-DA005 design, also with a pair of ES9038pro chips. This time he used more of the best components available. One torroidal transformer has silver plated copper. Also banks of super capacitors that act like batteries, solid silver hookup wire, 4 femtoclocks each costing multiples of the Crysteks, a revised Amanero board, more of the best European caps and a new partitioned case. I can't say cost NO object, but costs well beyond. A higher price, of course. Details at http://www.mu-sound.com/DA005-detail.html

The question, surely, is: How does it sound? I'm only going to answer indirectly for the moment. I thought that the MH-DA004 was to be my last DAC, or at least for a very long time. I was persuaded to part with my $$ by research, and by satisfaction with the MH-DA004. Frankly, I have been overwhelmed by the improvement; just didn't think it was possible. Fluidity, clarity, bass extension. A post to another board summed it up better than I can after listening to piano trios: "I have probably attended hundreds of classical concerts (both orchestral and chamber) in my life. I know what live sounds like in a good and bad seat and in a good and mediocre hall. All I can say is HOLY CRAP, this sounds like the real thing from a good seat in a good hall. Not an approximation of reality, but reality."

melm

I received this more extended letter from Jinbo Li this morning. He is the designer and manufacturer of the Musetec. I will comment in a follow-up post.

 

I wrote some words. I think it’s necessary to tell you my opinion.

The development of DA005 has undergone a lot of testing and listening. We focus more on listening tests. In my first few years in the field of audio product development, I also focused on instrument testing to study various data results of products through testing. However, it is finally found that we cannot express the actual listening feeling of audio equipment through the limited test method of audio analyzer. For example, in the process of development, it is very easy to see an interesting phenomenon that capacitors, resistors, wires and even solder of different brands or series will directly change the sound, but when these parts are changed, we can’t check the change of test data through the analyzer. Once I made two DACs and did a blind listening test with my friends to verify some conclusions. I used exactly the same circuit board, resistor, capacitor, IC, etc. in short, the two DACs are exactly the same except for the different solder. As a result, the two DACs showed completely different sound styles when replaying music, and even there was a gap in sound quality, such as their dynamic expression of sound, transparency and so on. The two DACs are made of exactly the same materials, so we can’t distinguish them by audio analyzer.

I know there is an argument that wire and fuse are metaphysics, and "burn-in" is also metaphysics.

Before I know enough about it, I also agree that these are metaphysics. But it is likely that there are some "data" that we cannot detect through the existing analyzer.

I have seriously thought about why the "burn-in" will bring obvious sound changes. Even the newly welded equipment after standing for a few days without electricity will have a more natural listening feeling than the newly welded equipment. The basic components of audio equipment - resistor, capacitor, inductor, solder, IC, etc. are composed of basic metal atoms and compound molecules. When the machine is powered on, these parts can be activated, electrons and ions migrate continuously, and even the materials inside the component vibrate due to the change of current frequency. This process will produce some changes inside the component. But it may not be a favorable change, so we need to try different components repeatedly. The goal is to find those components that are just right for the change after full activation. For example, it usually takes at least 5-7 days to determine whether a type of capacitor is suitable. If there is not enough time, the sound will be different every day.

Because of the existence of the above situation, it will directly lead to a problem, that is, the time and energy spent by listening and adjustment is far greater than the instrument test. For this reason, we usually need at least three years to update a product. Carefully update products, that is why we have many loyal customers.

I usually think that if there is a analyzer which can effectively detect these changes, the process of developing products will be much easier and faster.

I respect ASR’s test. They have excellent test equipment, even have some authority. but I don’t think this test conclusion has a direct relationship with the sound performance of the product. However, I will seek a high-performance testing instrument to review the ASR test. If my customers are dissatisfied with the instrument test performance of the product, we will update the design to the customers who need it in the next few months to make the updated product have good enough instrument test performance. We will extend the warranty period of the product in case of any delay.

Being experienced modifier of various components over the years,  I 100% concur with everything Jimbo stated! Thank you, Melm!

 

His statement in regard to modifying 005 to measure better very interesting. Will this affect sound quality is positive or negative manner?

 

 

@melm, thanks for obtaining & sharing that. A thoughtful and constructive response, imo.

@sns, agree, was wondering the same thing, that’s the big question :-). It will be great to see / hear what measurement results and what changes if any Jinbo comes up with - and _especially_, how they sound of course.

I’d also be quite interested to know whether most of the units produced do meet the published specs or not. In my view, wanting or hoping for better measured performance would be one thing, but units meeting published specifications is a bit different.

 

@fl_guy FFS why are you so worried about published and ASR's measured  specs?

They do what the hell the want. Have you even listened to this DAC?

Deviation from specs is not a health hazard, and I have no confidence in Amir, he has his own agenda.

If you can't hear the difference between a $10 cable and a $1000 cable better you go back over there, because they say they cannot.

@lordmelton, please re-read. Yes, I have listened to this DAC, and like it.

I don't recall stating that I couldn't hear the difference in cables or otherwise - did I say that somewhere?

However _IF_ it turns out to be true, I don't appreciate equipment which fails to meet published and advertised specifications. I don't think that's unreasonable.