Record Cleaning Machines


Has anyone out there done an A/B comparison of the cleaning results or efficacy using the Degritter ultra sonic record cleaning machine which operates at 120 kHz/300 watts and an ultrasonic cleaner that operates at 40 kHz/300 or 380 watts (e.g. Audio Desk; CleanerVinyl; the Kirmuss machine; etc.)?  I have a system I put together using CleanerVinyl equipment, a standard 40 kHz ultrasonic tank and a Knosti Disco-Antistat for final rinse.  I clean 3 records at a time and get great results.  Surface noise on well cared for records (only kind I have) is virtually totally eliminated, sound comes from a totally black background and audio performance is noticeably improved in every way.  Even though the Degritter only cleans 1 record at a time, it seems significantly easier to use, more compact and relatively quick, compared to the system I have now.  I'm wondering if the Degritter's 120 kHz is all that much more effective, if at all, in rendering better audio performance than the standard 40 kHz frequency.  I don't mind, at all, spending a little extra time cleaning my records if the audio results using the Degritter are not going to be any different.  I'm not inclined to spend three grand for a little more ease & convenience and to save a few minutes.  However, if I could be assured the Degritter would render better audio performance results, even relatively small improvements, that would be a whole other story.
oldaudiophile
I have been using the Elmasonic P60H which works at 37hz/80 with tegrakleen as a solution
distilled rinse after cleaning
An online professional record cleaning service led me straight to this machine.  15 minutes per record with 37/80 sweep has produced excellent results
@willy-t,

Tima uses the Elmasonic P120H (with pump & 0.2 micron absolute filter) and he has added a Elmasonic S120H for rinsing and recently switched  to Tergitol 15-S-9 ( Tergitol 15-S-3 and 15-S-9 Surfactant | TALAS (talasonline.com)) with good results - read:  tima's DIY RCM | What's Best Audio and Video Forum. The Best High End Audio Forum on the planet! (whatsbestforum.com).

FYI - Tergikleen does not foam because its a blend of Tergitol 15-S-9 which is water soluble and can foam and Tergitol 15-S-3 which is not water soluble and can act as a defoamer, but unless rinsed (as you do) can leave a residue.  The  Tergitol 15-S-3 exists only as a emulsion.   The origins of Tergikleen are from the composition specified in The Care and Handling of Recorded Sound Materials, By Gilles St-Laurent Music Division National Library of Canada January 1996.  Whether they still use it is unknown and the US Library of Congress does not use it - they use Tergitol 15-S-7 (which is not available to the public).  But, 15-S-7 is not good for a UT tanks because of the low cloud point; and contrary to the urban-myth 15-S-3 + 15-S-9 does not equal 15-S-7.  
@antinn, Thanx for your service!! I down loaded your book and will get started with it tonight. This took a lot of time and effort on your part for little if any financial gain, again thank you very much. To my knowledge there is no other comprehensive review of the subject by someone with technical expertise in this area. 

I'll get back with questions after I finish.  
It finally dawned on me why the handle "antinn" sounded familiar! When I re-read this thread, terry9's contribution suddenly helped turn the lights on! Thanks, terry9!

Antinn, first, my sincere thanks for your March 2021 second edition paper incorporating the subject we are discussing here. Very impressive, comprehensive and informative piece of work! Thank you!

I'm offering the following in the hopes I can get you to comment on my present labor of love. It's a little more detail about my present cleaning methodology. I'll try to keep it short and to the point.

I use an RoHS model 30A (6 liter) 180 watt US power, 200 watt heating power, 40 kHz US machine. I don't use heat. The tank fluid always stays around room temperature (e.g. 65 to 70 degrees Fahrenheit). I use CleanerVinyl adapters to rotate 3 LPs slowly (probably a little less than 3 RPM) in Mobile Fidelity Super Record Wash, advertised as an "alcohol-free" fluid incorporating "non-toxic, natural degreasers and dirt solvents in combination with quadruple-distilled, hyper-pure water base". They further state this fluid is a "high-surface-tension water composition". After US cleaning, my next step is rinsing the LPs, using a Knosti Disco Anti-Stat filled with distilled water. The Knosti is the German version of the Spin-Clean and uses brushes, instead of pads. Next, I lay the records on LP-sized high quality microfiber cloths for a pre-drying and, then, transfer them to the Knosti drying rack for complete air-drying. My final step involves treating them with LAST record preservative. Thus far, I've never seen grit, particles or accumulated dirt of any kind in the bottom of the US tank when I'm finished. I've also never seen anything like that in the filters I use (Melitta coffee filters) to drain the cleaning fluid back into their containers. I generally do 15 LPs at a time, which takes me around 3 hours from start to finish, including set-up, clean-up & tear down. I could probably reduce the time but I amuse myself in the interim periods.

As I indicated earlier, I'm getting what I consider great audio results. However, if the Degritter can achieve the same or better audio results, I would seriously consider it or, for that matter, any other reasonably priced cleaner or cleaning system. As another poster indicated, the HumminGuru caught my interest, as well, but this is still a work in progress and details are sketchy.

Thoughts?
I guess I am “old school”. Use the legendary Keith Monks Discovery RCM. BBC, Library of Congress, etc. used to be a thread on nozzle at the end of a tone arm like moving arm. Now just a high suction devise using a very strong German medical grade pump. It vacuums one grove at a time well removing all fluid and dirt. And the KM fluid produces the white substance when brushed in. And the whole process takes a bit over a minute a side.