Patrick wrote
Considering that this cartridge was initially made for the broascast industry, You have given a very good explanation of its characteristics. That industry mostly used high mass 12" arms. This also explains why it is used more successfully by vintage equipment users as well, since vintage generally used higher mass arms than todays newer arms, which are usually low or medium mass. Yes, one can spend a lot of money to buy a 12" arm, but there are a lot of good arms which will not get optimum performance from the 103 due to incompatibility. In short, the cartride was engineered for 40 yr old table/arm combo, but is generall not a good match for newer lighter arms.
The only problem with the low price is that people constantly underestimate the value of the partnering equipment. The Denon wants a high-mass, heavy-duty arm with high-quality bearings to drive its stiff, short cantilever and comparatively high weight. Such tonearms do not come cheap - you're talking Ikeda, Ortofon, FR, old-style SME (with steel knife-edge bearings) etc
Considering that this cartridge was initially made for the broascast industry, You have given a very good explanation of its characteristics. That industry mostly used high mass 12" arms. This also explains why it is used more successfully by vintage equipment users as well, since vintage generally used higher mass arms than todays newer arms, which are usually low or medium mass. Yes, one can spend a lot of money to buy a 12" arm, but there are a lot of good arms which will not get optimum performance from the 103 due to incompatibility. In short, the cartride was engineered for 40 yr old table/arm combo, but is generall not a good match for newer lighter arms.