What Does It Take To Surpass A SME V?


Thinking about the possibility of searching for a new tonearm. The table is a SOTA Cosmos Eclipse. Cartridge currently in use is a Transfiguration Audio Proteus, and it also looks like I will also have an Ortofon Verismo if a diamond replacement occurs without incident. 

The V is an early generation one but in good condition with no issues. Some folks never thought highly of the arm, others thought it quite capable. So it's a bit decisive. 

The replacement has to be 9 to 10.5 inches. I have wondered if Origin Live is worth exploring? Perhaps a generation old Triplanar from the pre owned market?

 Any thoughts on what are viable choices? 

 

 

 

 

 

 

neonknight

@neonknight , When I got my Channel D Seta L Plus (a fully balanced unit) I had to change the RCAs to XLRs on my Schroder CB. I did not even have to trim the wires. I just desoldered them from the RCAs and re soldered them to the XLRs. It took maybe 10 minutes. You can order the Schroder with XLRs. 

The BMC is a fine unit but you should also look at the Channel D Lino C which recently got an A+ rating with stereophile. I use an MC Diamond which sounds wonderful into the Channel D. The Verismo is for all intents and purposes the same cartridge. Great choice!  

Mike, do you have v2.0 or v3.3 of Lino C?

Dear Pindac, I’m not sure I understand your last post. Are you advocating a change from XLR to RCA, if the latter and its wiring are using your favored OCC? Regardless of phono stage topology (balanced vs SE)?

Thanks.

@mijostyn  Yes that is the question, are we talking the 2.0 or the 3.3? The 2.0 is going to be roughly the same price as the B.M.C. MCCI Signature ULN that is available to me. 

The topology of the Signature ULN appears to be quite sophisticated. From a users standpoint I am not wild about the internal jumpers, but I can live with it. 

From the site its a bit unclear if there is differences between the two units circuits. Or if its more about user flexibility. 

Can anyone expand? I need to make a deicision today if i am going to grab the B.M.C.

I put mine on a Sota turntable.  The arm was too heavy and ultimately collapsed the springs of the table....poor move.

From my reading bits written by audio journalists who usually have only a tenuous grasp of the technology, it seems the MCCI and Leno are a bit different from one another in circuitry. As a user of the MCCI, I simplified things by turning off the Neumann compensator and any bass frequency modulation. I also set gain to zero db; only a very few cartridges would require the +7 or 14 db settings. Also keep in mind that Fremer reviewed the original version, not the ULN Signature version, in 2013. I think the jumpers are very easy to understand and deal with in the latest version. But I can’t say which you’d like better between the MCCI ULN Sig and the Lino C.