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Windows in a listening room
My 12.5' x 15' listening room has an 8'-wide patio door on the long side. I was concerned that the large glass area might be hurting sound quality, and even got an estimate on a sound-absorbing curtain—about $600. Then I watch this video1, and now I don't worry about it any more.
http://www.acousticsinsider.com/window-behind-speakers-causing-problems/?utm_source=Acoustics+Inside...
Thought others might find it interesting.
http://www.acousticsinsider.com/window-behind-speakers-causing-problems/?utm_source=Acoustics+Inside...
Thought others might find it interesting.
32 responses Add your response
A couple of years ago, I changed the four curtains in my room because they let in too much light. The new blackout curtains were made of much heavier materials. It did not occur to me that the new curtains would have an effect on the sound system, but they did. The imaging became more focused and detailed. I thought that the acoustics in this room was damped well. I was very wrong, and it shows that you could never let your guard down. There is always something to upgrade. Damn this hobby. |
Following
geoffkait's advice, I got in touch with Marigo Audio Lab (marigoaudio@frontier.com) and at Ron Hedrich's suggestion ordered 4 of his SD-51 Superdots (black, 2" dia), which at $187.20 delivered were not cheap. But I installed them today and they do make an improvement in the room's response. I'm very happy with the result. |
steakster If people are reading this it work it can be hard to view a video. BUT WHY AREN'T THEY WORKING? |
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Sound pressure peaks in the room are much higher than average sound pressure levels in the room. And the vibration nodes of a wall or glass window probably require “node dampers” for best results. That’s where the Marigo VTS Dots are suggested to be placed. Or any damper. I suspect the only way to find out is experiment. |
geoffkait The Marigo web site for the VTS Dots looks good to me. What’s yer beef? There is a wide range of sizes and applications for the dots - from glass windows to walls to speaker diaphragms to printed circuit boards to chassis to capacitor to vacuum tubes, and beyondAll true. I was just hoping for some explanation of how they work, or what they do, or what the benefits might be. Perhaps I missed it. |
geoffkait, I went and looked at Marigo’s tuning dots and must say: the web site doesn’t do a great job of explaining their virtues. http://marigoaudio.com/tuning-dots/ |
Windows let in noise and light. I shuttered mine, more like doors really, solid MDF panels dramatically reduce noise and light. Closed flush, its almost like no windows at all. When I first put them on it was fun to bring people in the room, close the door, let them get used to the quiet. Then close one shutter. Watch the look on their face. The noise that comes through a window, we are so used to it, its so nearly white-noise diffuse, its hard to notice until its gone. |
Glass is bad for sound. For starters it’s very transparent to rf. It also rings like a banshee and flutters like a wounded duck. The room is like the inside of a drum. Some ideas: Marigo VTS Dots for Windows, crystals, just open the windows, that helps the sound. There’s always Flying Saucers 👽 for Windows for the more adventurous, or the Silver Rainbow MagnaBlock from PWB Electronics, only $20. Whilst using absorption one must always be on the lookout 👀 for what Acoustic Revive refers to as “over-dumping.” It can sneak up on you, before you know it you’ll be living with over-dumping forever. It’s an excellent example of expectation bias, that absorption is always good. |
You should have my music room! Seriously, take it! I have 4 walls of glass....... It is basically the sun room add on to the house. So 8ft glass sliding doors open out to it, then each wall is 3ft solid lower then 5 ft window all the way round. Oh and it is tiled floor..... So wood blinds on every window set just past halfway closed. 3 big squishy leather sofas and cushions. Huge deep thick floor rug. Made it very liveable and I am constantly impressed with how good it sounds considering how diabolical it should/could be. |