Oh My! The LS2 never had any business as a Stereophile rated Class A product. So many of such ratings were pure nonsense and the LS2 was a clear example as was the LS3. At least they finally were honest with the LS22's B rating!
Sorry, but the LS2 is so far away from the LS5 caliber. Nobody would ever know they were from the same company. The LS2 is analytical and 2 dimensional while the LS5 brings on a level of musicality that is quite involving....takes you back to the early 80s of the SP8 and SP10. And no matter how many XLR connectors an LS2 has, only when the LS5 came along did a truly balanced line stage from ARC exist. The LS2 add additional circuit stages to achieve pseudo balanced inputs and outputs....but all the internals are single ended circuits.....seems so silly that this was ever done.
So Steve, take a listen to the LS2 just for the experience, but then try out the LS5 and you will know what I mean here.
John
Sorry, but the LS2 is so far away from the LS5 caliber. Nobody would ever know they were from the same company. The LS2 is analytical and 2 dimensional while the LS5 brings on a level of musicality that is quite involving....takes you back to the early 80s of the SP8 and SP10. And no matter how many XLR connectors an LS2 has, only when the LS5 came along did a truly balanced line stage from ARC exist. The LS2 add additional circuit stages to achieve pseudo balanced inputs and outputs....but all the internals are single ended circuits.....seems so silly that this was ever done.
So Steve, take a listen to the LS2 just for the experience, but then try out the LS5 and you will know what I mean here.
John